The Time Bender

Draftsmen can't fight dragons. Then again, that's usually no problem - they generally don't have to. But Lafayette O'Leary does. When an accidental overdose of self-hypnosis wrenches him out of the dull (but safe) Mrs. MacGlint's Clean Rooms and Board and deposits him in the feudal, bedragoned world of Artesia, it takes him a little while to catch on, even with the attentions of the beautiful Princess Adoranne. Then he decides that he likes this new life of his - except for the part where he's supposed to get killed...

Do you try not to be late, but it just keeps happening? You are not alone - one in five people struggle to be on time, and would love to change their lateness habit. In this trailblazing book Grace Pacie, a lifelong self-confessed 'Timebender', reveals the surprising truth about why we are late and what we can do to fix it.

The four-part trilogy returns in an all new trade paperback collection. Fry, Leela, Bender, and Professor Farnsworth's clone/ward Cubert take an intergalactic trip, and when they return to Earth, they find the planet uninhabited. First, our merry band of messengers must fight off alien invaders bent on claiming the planet as their own. Then they must go in search of their missing colleagues as well as billions of citizens from Planet Earth. But "where are they?" soon turns into "when are they?" and "how" and "why" also make a little appearance. And before long the intrepid crew quite literally goes to hell and back again. Will the world ever get back to normal, or is everyone totally boned? Yes, there will be time travel—so bring a change of clothes!

New York Intellect is Thomas Bender's remarkable look at the connections between the life of a city and the life of the mind. New York has never been comfortable or convenient as a milieu for art and intellect, Bender notes. Yet New Yorkers have always struggled to create institutions and styles of thought and writing that reflect the special character of the city, its boundless energies and deep divisions.

Time belongs to a handful of categories (like form, symbol, cause) that are genuinely transdisciplinary. Time touches every dimension of our being, every object of our attention -- including attention itself. It therefore can belong to no single field of study. Of course, this universalist view of time is not itself universal but rather is a product of the modern age, an age that conceived of itself as the "new" time. Time has thus gained new importance as a theme of general research with the "post-modern turn" now manifest in many areas of intellectual endeavor, especially in the humanities and social sciences. "Chronotypes" are models or patterns through which time assumes practical or conceptual significance. Time is not given but (as the subtitle indicates) fabricated in an ongoing process. Chronotypes are themselves temporal and plural, constantly being made and remade at multiple individual, social, and cultural levels. They interact, they change over time, and they have histories, whose construal is itself an act of temporal construction. This book -- an interdisciplinary collaboration of philosophers, historians, literary critics, and anthropologists -- examines the ways individuals, societies, and cultures make sense of time by constructing it in diverse patterns.

The first novel in ten years from the author of the beloved New York Times bestseller The Particular Sadness Of Lemon Cake, a luminous, poignant tale of a mother, a daughter, mental illness, and the fluctuating barrier between the mind and the world On the night her single mother is taken to a mental hospital after a psychotic episode, eight year-old Francie is staying with her babysitter, waiting to take the train to Los Angeles to go live with her aunt and uncle. There is a lovely lamp next to the couch on which she's sleeping, the shade adorned with butterflies. When she wakes, Francie spies a dead butterfly, exactly matching the ones on the lamp, floating in a glass of water. She drinks it before the babysitter can see. Twenty years later, Francie is compelled to make sense of that moment, and two other incidents -- her discovery of a desiccated beetle from a school paper, and a bouquet of dried roses from some curtains. Her recall is exact -- she is sure these things happened. But despite her certainty, she wrestles with the hold these memories maintain over her, and what they say about her own place in the world. As Francie conjures her past and reduces her engagement with the world to a bare minimum, she begins to question her relationship to reality. The scenes set in Francie's past glow with the intensity of childhood perception, how physical objects can take on an otherworldly power. The question for Francie is, What do these events signify? And does this power survive childhood? Told in the lush, lilting prose that led the San Francisco Chronicle to say Aimee Bender is "a writer who makes you grateful for the very existence of language," The Butterfly Lampshade is a heartfelt and heartbreaking examination of the sometimes overwhelming power of the material world, and a broken love between mother and child.

Based on the hit website, AwkwardFamilyPhotos.com (“painful, regrettable, horrifyingly awesome snaps of family bonding, you will laugh so hard that people in adjoining offices will ask what’s wrong with you”—Esquire), this full color book features never-before-seen photos and hilarious personal stories covering everything from uncomfortable moments with relatives, teen angst, sibling rivalry, and family vacations from hell. Cringe at the forced poses, bad hair, and matching outfits--all prompting us to look at our own families and celebrate the fact that we're not alone. Nothing says awkward better than an uncomfortable family photograph!