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The first major visual and cultural exploration of the legacy of La Malinche, simultaneously reviled as a traitor to her people and hailed as the mother of Mexico An enslaved Indigenous girl who became Hernán Cortés's interpreter and cultural translator, Malinche stood at center stage in one of the most significant events of modern history. Linguistically gifted, she played a key role in the transactions, negotiations, and conflicts between the Spanish and the Indigenous populations of Mexico that shaped the course of global politics for centuries to come. As mother to Cortés's firstborn son, she became the symbolic progenitor of a modern Mexican nation and a heroine to Chicana and Mexicana artists. Traitor, Survivor, Icon is the first major publication to present a comprehensive visual exploration of Malinche's enduring impact on communities living on both sides of the US-Mexico border. Five hundred years after her death, her image and legacy remain relevant to conversations around female empowerment, indigeneity, and national identity throughout the Americas. This lavish book establishes and examines her symbolic import and the ways in which artists, scholars, and activists through time have appropriated her image to interpret and express their own experiences and agendas from the 1500s through today.

This innovative volume on the mourning process, burial rites and intimations of immortality offers diverse Jungian, cross-cultural, interdisciplinary, depth-psychological perspectives, written predominantly by graduates and candidates of the CG Jung Institute Zürich. The themes of this book are particularly relevant as they relate to the COVID-19 pandemic and other environmental disasters, when so many people die without a proper burial and are, thus, not properly commemorated with their status value. The contributors cover a wide range of subjects from their clinical observations attached to grief and loss in the prolonged mourning process, the meaning behind burial rites in cyclical and linear temporalities and an analysis of why certain dead are excluded from becoming ancestors. Unconscious processes such as dreams, archetypes and cultural complexes from the personal and collective unconscious are also presented and explored. This collection will be of great interest to interdisciplinary academic researchers, Jungian analysts and students, psychoanalysts, psychotherapists, anthropologists, cultural theorists and students interested in the mourning process, rites of passage, past and present burial practices and the imaginative, symbolic significance of the land of the dead.

Transforming Saints explores the transformation and function of the images of holy women within wider religious, social, and political contexts of Old Spain and New Spain from the Spanish conquest to Mexican independence. The chapters here examine the rise of the cults of the lactating Madonna, St. Anne, St. Librada, St. Mary Magdalene, and the Suffering Virgin. Concerned with holy figures presented as feminine archetypes—images that came under Inquisition scrutiny—as well as with cults suspected of concealing Indigenous influences, Charlene Villaseñor Black argues that these images would come to reflect the empowerment and agency of women in viceregal Mexico. Her close analysis of the imagery additionally demonstrates artists' innovative responses to Inquisition censorship and the new artistic demands occasioned by conversion. The concerns that motivated the twenty-first century protests against Chicana artists Yolanda López in 2001 and Alma López in 2003 have a long history in the Hispanic world, in the form of anxieties about the humanization of sacred female bodies and fears of Indigenous influences infiltrating Catholicism. In this context Black also examines a number of important artists in depth, including El Greco, Murillo, Jusepe de Ribera, Pedro de Mena, Baltasar de Echave Ibía, Juan Correa, Cristóbal de Villalpando, and Miguel Cabrera.

A native of the El Paso / Ciudad Juarez region, acclaimed author and scholar Alicia Gaspar de Alba writes that she grew up with “a forked tongue and a severe case of cultural schizophrenia, the split in the psyche that happens to someone who grows up in the borderlands between nations, languages and cultures.” Border dwellers struggle with place and identity in the short fiction included in this collection. An El Paso-born American citizen with a high school diploma and a talent for writing seeks a job as a reporter at the El Paso Herald after World War I but gets hired as a janitor and research specialist instead. A Mexican woman takes her young daughter north to protect her from sexual abuse, only to leave the girl with relatives while she crosses the river in search of a job and a new life. And a college student gets a Tarot reading to help her discern the historical symbolism of her bicultural identity. The award-winning writer explores other “crimes of the tongue” in the essays in this volume: pochismo, or the mixing of English and Spanish, as both a family taboo and a politics of identity; the haunting memory of La Llorona, protector of undocumented immigrants and abandoned children, and her blood-curdling cry of loss and revenge; the intersection of the personal and the political in the transgressive work of Chicana/Latina artists; the sexual and linguistic rebellions of La Malinche and Sor Juana Ines de la Cruz; and the reverse coyotaje, or border crossing, of Chicana lesbian feminist theory translated into Spanish and visual art as a way of sneaking this counterhegemonic pocha poetic thought into Mexico. These essays and stories are always intellectually rigorous and often achingly personal.

An updated edition combining two classic works of Chicana and queer literature, with a new introduction by renowned writer and luminary, Cherríe Moraga. In celebration of the 40th anniversary of its original publication, this updated edition of Loving in the War Years combines Moraga’s classic memoir with The Last Generation: Poetry and Prose, resulting in a challenging, inspiring, and insightful touchstone for artists and activists—and for anyone striving to foster care and community. Cherríe Moraga’s powerful memoir remains as urgent as ever. She explores the intersections of her Chicana and lesbian identities, moving gracefully between poetry and prose, Spanish and English, personal narratives and political theory. Moraga recounts navigating the world largely as an outsider, circling the interconnected societies around her from a distant yet observant perspective. Ultimately, however, her writing serves as a bridge between her cultures, languages, family, and herself, enabling her to look inward to forge connections from otherwise inaccessible parts of her interior world, to show how deep self-awareness and compassionate engagement with one’s surroundings are key to building global solidarity among people and political movements.

The complicated life of the real woman who came to be known as La Malinche.

A riveting, behind-the-scenes account of the near collapse of the Ford Motor Company, which in 2008 was close to bankruptcy, and CEO Alan Mulally's hard-fought effort and bold plan--including his decision not to take federal bailout money--to bring Ford back from the brink.

'Lanyon has spent more than a decade pursing this elusive woman, Malinche---in archives, in churches, in forgotten corners of Mexico. Lanyon has read her sources sensitively, and distils their magic with grace. The story of her quest is mesmerising, and its telling to be relished, with the prose simple, spare, but lifting easily into poetry. Anyone who loves Mexico, old tales or fine prose should read this book.' Inga Clendinnen, author of The Aztecs Malinche was the Amerindian woman who translated for Hernan Cortes---from her lips came the words that triggered the downfall of the great Aztec Emperor Moctezuma in the Spanish Conquest in 1521. In Mexico Malinche's name is synonymous with traitor, yet folklore and legend still celebrate her mystique. Was Malinche a betrayer? Or do our histories construct the heroes and villains we need? Anna Lanyon journeys across Mexico and into the prodigious past of its original peoples, to excavate the mythologies of this extraordinary woman's life. Malinche: abandoned to strangers as a slave when just a girl; taken by Cortes to become interpreter, concubine, witness to his campaigns, mother to his son, yet married off to another. Malinche: whose gift for language, intelligence and courage won her survival through unimaginably precarious times. Though Malinche's words changed history, her own story remained untold---yet its echoes continue to haunt Hispanic culture.