Troubled Daughters Twisted Wives

Fourteen chilling tales from the pioneering women who created the domestic suspense genre Murderous wives, deranged husbands, deceitful children, and vengeful friends. Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

A brilliant anthology of modern true-crime writing that illustrates the appeal of this powerful and popular genre, edited and curated by Sarah Weinman, the award-winning author of The Real Lolita The appeal of true-crime stories has never been higher. With podcasts like My Favorite Murder and In the Dark, bestsellers like I’ll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable. Acclaimed author ofThe Real Lolitaand editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today. Michelle Dean’s “Dee Dee Wanted Her Daughter To Be Sick” went viral when it first published and is the basis for the TV showThe Act and Pamela Colloff’s “The Reckoning,” is the gold standard for forensic journalism. There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.

A gripping true-crime investigation of the 1948 abduction of Sally Horner and how it inspired Vladimir Nabokov's classic novel Lolita. Vladimir Nabokov's Lolita is one of the most beloved and notorious novels of all time, selling over sixty million copies worldwide to date. Yet very few of its readers know that the subject of the novel was derived from a real-life case: the 1948 abduction of eleven-year-old Sally Horner. Weaving together suspenseful crime narrative, cultural and social history, and literary investigation, The Real Lolita tells Sally Horner's full story for the very first time. Drawing upon extensive investigations, legal documents, old news stories, public records, and interviews with remaining relatives, Sarah Weinman establishes with authority how much Nabokov knew of the Sally Horner case and the efforts he took to disguise that knowledge during the process of writing and publishing Lolita. As she walks us through Sally's story, Weinman takes us on an intimate and panoramic tour of mid-century America, from Sally's home in Camden, New Jersey, to her place of rescue in California, and back to the East Coast again. The story of Sally Horner echoes the stories of countless girls and women who never had the chance to speak for themselves. By diving deeper in the publication history of Lolita and restoring Sally to her rightful place in the lore of the novel's creation, The Real Lolita casts a new light on the dark inspiration for a modern classic.

summons to a bullet-riddled body in a Hell’s Kitchen apartment marks the start of a new case for consulting detectives Sherlock Holmes and Joan Watson. The victim is a subway train driver with a hidden stash of money and a strange Colombian connection, but why would someone kill him and leave a fortune behind? The search for the truth will lead the sleuths deep into the hidden underground tunnels beneath New York City, where answers—and more bodies—may well await them...

“In this intelligent novel Hammesfahr has etched with precision the thoughts of a woman on the edge of madness.”—Der Spiegel Cora Bender killed a man. But why? What could have caused this quiet, lovable young mother to stab a stranger in the throat, again and again, until she was pulled off his body? For the local police it was an open-and-shut case. Cora confessed; there was no shortage of proof or witnesses. But Police Commissioner Rudolf Grovian refused to close the file and began his own maverick investigation. So begins the slow unraveling of Cora’s past, a harrowing descent into a woman’s private hell. Hailed as Germany’s Patricia Highsmith, Petra Hammesfahr has written a dark, spellbinding novel. At the top of the bestseller list, The Sinner has been reprinted sixteen times and sold over 760,000 copies at home. Translated into eleven languages, this is the first Hammesfahr title published in English. Petra Hammesfahr, born in 1951, left school at thirteen, became pregnant by an alcoholic at seventeen, and began writing novels at the age of forty. Her first thriller was turned down 159 times, but eventually success arrived. Hammesfahr has written over twenty crime and suspense novels. She also writes scripts for television and film. She is married with three children and lives near Cologne.

She shot him just above the belt and left him for dead. Then they torched the house, with Parker in it, and took the money he had helped them steal. It all went down just the way they'd planned, except for one thing: Parker didn't die. In The Hunter, the first volume in the Parker series, our ruthless antihero roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption. The volume that kickstarted Parker's forty-plus-year career of larceny—and inspired the 1967 motion picture Point Blank, starring Lee Marvin—The Hunter is back, ready to thrill a new generation of noir fans.

A CBC Books Work of Canadian Nonfiction to Watch For in Spring 2022 An Amazon Best Book of the Month: Biographies and Memoirs A Los Angeles Times Book to Add to Your Reading List in February A Seattle Times Most Anticipated Book of 2022 A Vanity Fair New Book to Read this Month A Publishers Weekly’s Top Spring 2022 History Title A Literary Hub Most Anticipated Book of 2022 A The Millions Most Anticipated Book of 2022 A Town & Country Must-Read Book of Winter 2022 A Bustle Most Anticipated Book of February 2022 A The Lineup True Crime Book to Be Excited About in 2022 A Bookpage Most Anticipated Nonfiction A Bookriot 22 Great Books to Read in 2022 A CrimeReads Most Anticipated Crime Fiction of 2022 A true-crime masterpiece, this is a story of wrongful exoneration about killer Edgar Smith and the prominent crusaders who fell prey to his charm. Having spent almost half his lifetime in California's state penitentiary system, convicted killer Edgar Smith died in obscurity in 2017 at the age of eighty-three—a miracle, really, as he was meant to be executed nearly six decades earlier. Tried and convicted in the state of New Jersey for the 1957 murder of fifteen-year-old Victoria Zielinski, Smith was once the most famous convict in America. Scoundrel tells the true, almost-too-bizarre story of a man saved from Death Row by way of an unlikely friendship—developed in nearly 2000 pages of prison correspondence—with National Review founder William F. Buckley, Jr., one of the most famous figures in the neo-conservative movement. Buckley wrote articles, fundraised and hired lawyers to fight for a new trial, eventually enlisting the help of Sophie Wilkins, a book editor with whom Smith would have a torrid epistolary affair. As a result of these friends' advocacy, Smith not only gained his freedom, he vaulted to the highest intellectual echelons as a bestselling author, an expert on prison reform, and a minor celebrity—only to fall, spectacularly, back to earth, when his murderous impulses once more prevailed. Weinman's Scoundrel is a gripping investigation into a case where crime and culture intersect, where recent memory begins to slide into history and where the darkest of violent impulses meet literary ambition, human ego and hunger for fame.