Unveiling Traditions

DIVQuestions the intellectual assumptions that prevent an understanding of potential Islamic contributions toward a more egalitarian world civilization./div

In Unveiling Traditions Anouar Majid issues a challenge to the West to reimagine Islam as a progressive world culture and a participant in the building of a multicultural and more egalitarian world civilization. From within the highly secularized space it inhabits, a space endemically suspicious of religion, the West must find a way, writes Majid, to embrace Islamic societies as partners in building a more inclusive and culturally diverse global community. Majid moves beyond Edward Said’s unmasking of orientalism in the West to examine the intellectual assumptions that have prevented a more nuanced understanding of Islam’s legacies. In addition to questioning the pervasive logic that assumes the “naturalness” of European social and political organizations, he argues that it is capitalism that has intensified cultural misunderstanding and created global tensions. Besides examining the resiliency of orientalism, the author critically examines the ideologies of nationalism and colonialist categories that have redefined the identity of Muslims (especially Arabs and Africans) in the modern age and totally remapped their cultural geographies. Majid is aware of the need for Muslims to rethink their own assumptions. Addressing the crisis in Arab-Muslim thought caused by a desire to simultaneously “catch up” with the West and also preserve Muslim cultural authenticity, he challenges Arab and Muslim intellectuals to imagine a post-capitalist, post-Eurocentric future. Critical of Islamic patriarchal practices and capitalist hegemony, Majid contends that Muslim feminists have come closest to theorizing a notion of emancipation that rescues Islam from patriarchal domination and resists Eurocentric prejudices. Majid’s timely appeal for a progressive, multicultural dialogue that would pave the way to a polycentric world will interest students and scholars of postcolonial, cultural, Islamic, and Marxist studies.

"Serenity's Secret: Unveiling the Mysteries of Balinese Traditional Village - An Avatar's Metaverse Adventure in Penglipuran Bali" delves into a captivating adventure through the enchanting virtual realm of the Metaverse as it intertwines with the mystical Penglipuran Village in Bali. This immersive novel takes readers on a transformative journey where avatars become the vessels for exploration and self-discovery. Follow the protagonist, Melisa, as she enters the Metaverse, a vast digital landscape that mirrors the real world and sets her sights on Penglipuran Village in Bali. Guided by her virtual avatar, Melisa delves into the secrets and wonders of this hidden gem, where tradition and technology coexist harmoniously. As Melisa's avatar traverses the virtual Penglipuran Village, readers are transported to a world of breathtaking beauty, cultural richness, and intriguing encounters. Through the eyes of her digital counterpart, Melisa witnesses the vibrant ceremonies, captivating folklore, and the warmth of the village community. Along her Metaverse journey, Melisa's avatar interacts with diverse characters, each with their own stories and aspirations. From the wise village elder who imparts ancient wisdom through virtual teachings to the talented local artist who brings the village's traditions to life in the digital realm and the spirited young villager who challenges the boundaries of virtual reality, the virtual encounters provide a deeper understanding of Penglipuran Village's essence.

Proposing a comprehensive account of the global fashion industry this book aims to present fashion as a social and cultural fact. Drawing on six principles from the industry, Godart guides the reader through the economic, social and political arena of the world's most glamorous industry.

Traditional Carnival has been well documented with a vast array of books published on the subject. However, few of them, if any, mention gay Carnival krewes or the role of gay Carnival within the larger context of the season. Howard Philips Smith corrects this oversight with a beautiful, vibrant, and exciting account of gay Carnival. Gay krewes were first formed in the late 1950s, growing out of costume parties held by members of the gay community. Their tableau balls were often held in clandestine locations to avoid harassment. Even by the new millennium, gay Carnival remained a hidden and almost lost history. Much of the history and the krewes themselves were devastated by the AIDS crisis. Whether facing police raids in the 1960s or AIDS in the 1980s, the Carnival krewes always came back each season. A culmination of two decades of research, Unveiling the Muse positions this incredible story within its proper place as an amazing and important facet of traditional Carnival. Based on years of detailed interviews, each of the major gay krewes is represented by an in-depth historical sketch, outlining the founders, moments of brilliance on stage, and a list of all the balls, themes, and royalty. Of critical importance to this history are the colorful ephemera associated with the gay tableau balls. Reproductions of never-before-published brilliantly designed invitations, large-scale commemorative posters, admit cards, and programs add dimension and life to this history. Sketches of elaborate stage sets and costumes as well as photographs of ball costumes and rare memorabilia further enhance descriptions of these tableau balls.

The highly anticipated follow-up to the award-winning national bestseller, I Am Hutterite In I Am Hutterite, Kirkby took her readers on a fascinating journey inside a Hutterite colony in Manitoba, where she grew up. Known as Canada’s forgotten people, Hutterites live in higher numbers in Canada than anywhere else in the world. Drawing back the curtains on this mysterious and extraordinary way of life, Kirkby enchanted the public with a vivid portrait of her people, rich in detail and memorable characters. Could you go back? was the enduring request from her readers, hungry for more. Now in Secrets of a Hutterite Kitchen, Kirkby returns to her roots and into the heart of the community and the life she was born into. She traveled from colony to colony for more than two years, working with the women in their kitchens: cooking, baking, plucking ducks, and gossiping. Kirkby reveals intimate details of the community and experiences what her life would have been like if her family hadn’t left the colony when she was a young girl. Secrets of a Hutterite Kitchen is a candid snapshot of present-day Hutterite life, unraveling the inner workings of this closed society and unveiling the rituals, traditions, and food of her culture through the lens of the community kitchen. Kirkby witnesses the rites of passage from cradle to grave: births, romantic entanglements, marriage ceremonies, sacred holidays, and other celebrations. Through it all, she rediscovers what she has always known—that it is the Hutterite women who are the soul of their community.

In Hiding from History, Meili Steele challenges an assumption at the heart of current debates in political, literary, historical, and cultural theory: that it is impossible to reason through history. Steele believes that two influential schools of contemporary thought "hide from history": liberal philosophies of public reason as espoused by such figures as Jürgen Habermas, Martha Nussbaum, and John Rawls and structuralism/poststructuralism as practiced by Judith Butler, Hayden White, and Michel Foucault. For Steele, public reasoning cannot be easily divorced from either the historical imagination in general or the specific legacies that shape, and often haunt, political communities.Steele introduces the concept of public imagination—concepts, images, stories, symbols, and practices of a culture—to show how the imaginative social space that citizens inhabit can be a place for political discourse and debate. Steele engages with a wide range of thinkers and their works, as well as historical events: debates over the display of the Confederate flag in public places; Ralph Ellison's exchange with Hannah Arendt over school desegregation in Little Rock; the controversy surrounding Daniel Goldhagen's book, Hitler's Willing Executioners; and arguments about the concept of a "clash of civilizations" as expressed by Samuel Huntington, Ashis Nandy, Edward Said, and Amartya Sen. Championing history and literature's capacity to articulate the politics of public imagination, Hiding from History boldly outlines new territory for literary and political theory.

This book explores the body and the production process of popular culture in, and on, the Middle East and North Africa, Turkey, and Iran in the first decade of the 21st century, and up to the current historical moment. Essays consider gender, racial, political, and cultural issues in film, cartoons, music, dance, photo-tattoos, graphic novels, fiction, and advertisements. Contributors to the volume span an array of specializations ranging across literary, postcolonial, gender, media, and Middle Eastern studies and contextualize their views within a larger historical and political moment, analyzing the emergence of a popular expression in the Middle East and North Africa region in recent years, and drawing conclusions pertaining to the direction of popular culture within a geopolitical context. The importance of this book lies in presenting a fresh perspective on popular culture, combining media that are not often combined and offering a topical examination of recent popular production, aiming to counter stereotypical representations of Islamophobia and otherness by bringing together the perspectives of scholars from different cultural backgrounds and disciplines. The collection shows that popular culture can effect changes and alter perceptions and stereotypes, constituting an area where people of different ethnicities, genders, and orientations can find common grounds for expression and connection.