Upheaval In Charleston

On August 31, 1886, a massive earthquake centered near Charleston, South Carolina, sent shock waves as far north as Maine, down into Florida, and west to the Mississippi River. When the dust settled, residents of the old port city were devastated by the death and destruction. Upheaval in Charleston is a gripping account of natural disaster and turbulent social change in a city known as the cradle of secession. Weaving together the emotionally charged stories of Confederate veterans and former slaves, Susan Millar Williams and Stephen G. Hoffius portray a South where whites and blacks struggled to determine how they would coexist a generation after the end of the Civil War. This is also the story of Francis Warrington Dawson, a British expatriate drawn to the South by the romance of the Confederacy. As editor of Charleston’s News and Courier, Dawson walked a lonely and dangerous path, risking his life and reputation to find common ground between the races. Hailed as a hero in the aftermath of the earthquake, Dawson was denounced by white supremacists and murdered less than three years after the disaster. His killer was acquitted after a sensational trial that unmasked a Charleston underworld of decadence and corruption. Combining careful research with suspenseful storytelling, Upheaval in Charleston offers a vivid portrait of a volatile time and an anguished place. A Friends Fund Publication

On August 31, 1886, a massive earthquake centered near Charleston, South Carolina, sent shock waves as far north as Maine, down into Florida, and west to the Mississippi River. When the dust settled, residents of the old port city were devastated by the death and destruction. Upheaval in Charleston is a gripping account of natural disaster and turbulent social change in a city known as the cradle of secession. Weaving together the emotionally charged stories of Confederate veterans and former slaves, Susan Millar Williams and Stephen G. Hoffius portray a South where whites and blacks struggled.

Charleston, South Carolina, is one of the most storied cities of the American South. Well known for its historic buildings and landscape, its thriving maritime culture, and its role in the beginning of the American Civil War, many consider it the birthplace of historic preservation. In Charleston, Martha Zierden and Elizabeth Reitz—whose archaeological fieldwork in the city spans more than three decades—reveal a vibrant, densely packed city, where people, animals, and colonial activity carried on in close proximity. Examining animal bones and the ruins of taverns, markets, townhouses, and smaller homes, the authors consider the residential, commercial, and public life of the city and the dynamics of production, distribution, and consumption of goods and services that linked it with rural neighbors and global markets. From early attempts at settlement and cattle ranching to the Denmark Vesey insurrection and efforts to improve the city’s drinking water, Zierden and Reitz explore the evolution of the urban environment, the intricacies of provisioning such a unique city, and the urban foodways and cuisine that continue to inspire Charleston’s culinary scene even today.

Sandcastles, Tall Ships, and Vanities is a fictional family love story intermingled with factual American and British history. Amanda Worsham is born during the War of 1812, in Charleston, South Carolina, to a wealthy British family involved with sailing vessels and worldwide shipping. "Sandcastles" is analogous to the ill-fated Southern plantation system, in that it exists when slavery exists, and is destined to vanish when slavery ends-just as the proverbial sandcastle disappears before the oncoming tide. "Tall Ships" alludes to the family's shipping business utilizing "windjammers," or beautiful tall sailing vessels for global sea trade. "Vanities" are whimsical yet powerful emotions. And to relegate another to slavery is vanity in its extreme (a self-evident truth). And unabashedly, it is a Christian, pro-life, anti-prostitution, and anti-slavery descriptive novel filled with human frailty and anguish. This story "is a handful," so to speak, dealing with family standards, love, sexuality, homosexuality, destructive prostitution (the so-called "white slavery" curse), plus the learning an altogether-fabulous wealth management stratagem. As she begins her marriage to longtime beau, Timothy Caldwell, Amanda assumes the Worsham family's New York-, Boston-, and Charleston-based overseas shipping business (an endeavor with tall ships and part of the fledgling clandestine military industrial complex). She witnesses the end of the Revolutionary War, the beginning of the American Civil War, and she helps shape a dynasty you'll long remember.

Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twentieth-century American expectations about race, culture, and the struggle for equality. In its surprising endurance lies a myriad of local, national, and international stories. For black performers and commentators, Porgy and Bess was a nexus for debates about cultural representation and racial uplift. White producers, critics, and even audiences spun revealing racial narratives around the show, initially in an attempt to demonstrate its authenticity and later to keep it from becoming discredited or irrelevant. Expertly weaving together the wide-ranging debates over the original novel, Porgy, and its adaptations on stage and film with a history of its intimate ties to Charleston, The Strange Career of "Porgy and Bess" uncovers the complexities behind one of our nation's most long-lived cultural touchstones.

When the eleven- and twelve-year-olds on the Cannon Street YMCA All-Star team registered for a baseball tournament in Charleston, South Carolina, in June 1955, it put the team and the forces of integration on a collision course with segregation, bigotry, and the southern way of life. White teams refused to take the field with the Cannon Street All-Stars, the first Black Little League team in South Carolina. The Cannon Street team won the tournament by forfeit and advanced to the state tournament. When all the white teams withdrew in protest, the Cannon Street team won the state tournament. If the team had won the regional tournament in Rome, Georgia, it would have advanced to the Little League World Series. But Little League officials ruled the team ineligible to play in the tournament because it had advanced by winning on forfeit and not on the field, denying the boys their dream of playing in the Little League World Series. Little League Baseball invited the Cannon Street All-Stars to be the organization's guests at the World Series, where they heard spectators yell, "Let them play! Let them play!" when the ballplayers were introduced. This became a national story for a few weeks but then faded and disappeared as Americans read of other civil rights stories, including the torture and murder of fourteen-year-old Emmett Till. Stolen Dreams is the story of the Cannon Street YMCA All-Stars and of the early civil rights movement. It's also the story of centuries of bigotry in Charleston, South Carolina--where millions of enslaved people were brought to this country and where the Civil War began, where segregation remained for a century after the war ended and anyone who challenged it did so at their own risk.

In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.

South Carolina is a state of inspiration as well as recreation. Through its natural beauty, storied heritage, and curious character, the Palmetto State finds its way into the hearts and imaginations of every native, resident, and guest to set foot on its 32,000 square miles of soil. Continuing the format of the popular original, this second volume of State of the Heart: South Carolina Writers on the Places They Love celebrates and commemorates the connections that the accomplished contributors have found in the well-known and far-flung locations most dear to them. With companionable charm and storytellers’ spirits, editor Aïda Rogers and the thirty-six contributors invite you to amble across South Carolina with them for a chance to see the state as they have come to know it. For writers beloved places can captivate, teach, comfort, and occasionally haunt. In this collection contributors reflect on their hometowns, the rivers and roads that marked their lives’ journeys, and the maligned neighborhoods they transformed just by living and working in them. Family beach vacations, churches and churchyards, athletic arenas modest and grand, a mountain vista, a quiet pond, a city park, an old-time produce market, Lake Murray, Brookgreen Gardens—these are just a sampling of the nearly three dozen private and public places favored by this diverse group of writers of fiction, memoir, poetry, history, journalism, and more. Photographs, artwork, verse, and even a few recipes accompany the essays, bringing readers further into sharing the writers’ experiences. While State of the Heart is rooted in the landscape of South Carolina, readers from anywhere will relate to its universal themes of growing up and growing old, recognition of past mistakes, returned-to faith, the closeness of family and friends, honoring those who came before, and setting our collective sights on the promise of the future for cherished people and places. Marjory Wentworth, South Carolina’s poet laureate, provides the foreword to this collection, which includes her poem “One River, One Boat.”