Veteran Narratives And The Collective Memory Of The Vietnam War

In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators. Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.

The Vietnam War has had many long-reaching, traumatic effects, not just on the veterans of the war, but on their children as well. In this book, Weber examines the concept of the war as a social monad, a confusing array of personal stories and public histories that disrupt traditional ways of knowing the social world for the second generation.

This book explores the memorializing practices of American veterans of the Vietnam War at several of the most significant contemporary sites of memory in the United States and Vietnam. These sites include veterans' memoirs, museum exhibits, replicas of the National Vietnam Veterans Memorial, and tourism to Vietnam. Because war memorializing has, since the late 1960s, shifted focus from national soul searching to personal identity and recovery, I emphasize how contemporary narratives of the war, shaped more by memory than by history, often are detached from the specific history of the war and its political controversies. Drawing on trauma and cultural memory scholarship, as well as empirical data gathered during field research in the U.S. and Vietnam, the author examines how veterans' memorializing practices have become increasingly individualized, commodified, and conservative since the early 1980s.

Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events. Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall—one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war—is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.

Soldier Talk is a collection of essays about the Vietnam combat veteran and his representation of his experience. The Vietnam War created a vast archive of recorded accounts of the war, permitting an unprecedented opportunity to confront its brutal secrets. This book is about how to read and how to hear the historical, psychological, and narrative truths of soldiers' talk. The ten chapters explore the phenomenon of soldier talk; the oral narrative form of so much of the Vietnam War literature; the collection of veteran interviews published under the title Nam; Vietnam War poetry; the strange tale of Bobby Garwood, the private who disappeared 10 days before he was to return home and surfaced 13 years later in Hanoi; Vietnam oral history and revolutionary socialism; the historiography of the Vietnam War; "queering Vietnam"; the African American experience of Vietnam; and women and the war. Along the way the authors touch on most of the best-known and most important writing to come out of the war.

The Vietnam War continues to haunt America?s collective memory. With only the Civil War surpassing the Vietnam War in terms of national divisiveness, earlier discord continues as conflicting lessons from the Vietnam War are applied to current U.S. war policy. Bruce O. Solheim provides a broad picture of the Vietnam War era at home and in Southeast Asia by combining historical narrative with biographical profiles and personal reflections, allowing the story to unfold in multiple layers, as seen from all sides of the conflict through the eyes of those who were actually involved. In The Vietnam War Era, Solheim explores, and hopes to answer, vital questions about the American war in Vietnam. What lessons have Americans learned from our defeat, and how should we apply that knowledge in implementing current foreign policy? How do we fit the Vietnam War era into our greater historical narrative?

The Vietnam War's influence on politics, foreign policy, and subsequent military campaigns is the center of much debate and analysis. But the impact on veterans across the globe, as well as the war's effects on individual lives and communities, is a largely neglected issue. As a consequence of cultural and legal barriers, the oral histories of the Vietnam War currently available in English are predictably one-sided, providing limited insight into the inner workings of the Communist nations that participated in the war. Furthermore, many of these accounts focus on combat experiences rather than the backgrounds, belief systems, and social experiences of interviewees, resulting in an incomplete historiography of the war. Chinese native Xiaobing Li corrects this oversight in Voices from the Vietnam War: Stories from American, Asian, and Russian Veterans. Li spent seven years gathering hundreds of personal accounts from survivors of the war, accounts that span continents, nationalities, and political affiliations. The twenty-two intimate stories in the book feature the experiences of American, Chinese, Russian, Korean, and North and South Vietnamese veterans, representing the views of both anti-Communist and Communist participants, including Chinese officers of the PLA, a Russian missile-training instructor, and a KGB spy. These narratives humanize and contextualize the war's events while shedding light on aspects of the war previously unknown to Western scholars. Providing fresh perspectives on a long-discussed topic, Voices from the Vietnam War offers a thorough and unique understanding of America's longest war.