Visions From The Past

Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.

From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.

Presents the history of paleoart from 1830-1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy

Finland, during both prehistoric and medieval times, has been the subject of numerous studies, but none of these have previously considered the nationalist essence of the integral, underlying history culture' or public archaeology' of the nation. Even quite obvious political interpretations, visions, and imageries of an ancient Golden Age have all too easily been dismissed as the consequences of mere patriotism, Kalevala enthusiasm', or Karelianism. This study presents the case for how the conceptions of a distant, glorious past have been advanced and actively developed within the national project of constructing a modern ethnicity of Finnishness. Accordingly, a conception of an original ancient greatness was paramount for the nationalist movements in both the Grand Duchy and the early Republic of Finland, especially so when the perceived nation was considered in need of intellectually unifying defences against the many conceived threats of Russianness after ca 1890. The author traces the construction of a Finnish Great Myth of National Origins from the 16th century until the end of the Second World War, and provides richly illustrated examples of how the process of nation-building influenced and amplified the deep historical core of the emerging Finnish national consciousness.

Detective Eve Dallas searches the darkest corners of Manhattan for an elusive killer with a passion for collecting soulsin this novel in the #1 New York Times bestselling In Death series. On one of the city's hottest nights, New York Police Lieutenant Eve Dallas is sent to Central Park—and into a hellish new investigation. The victim is found on the rocks, just above the still, dark water of the lake. Around her neck is a single red ribbon. Her hands are posed, as if in prayer. But it is the eyes—removed with the precision of a surgeon—that have Dallas most alarmed. As more bodies turn up, each with the same defining scars, Eve is frantic for answers. Against her instincts, she accepts help from a psychic who offers one vision after another—each with shockingly accurate details of the murders. And when partner and friend Peabody is badly injured after escaping an attack, the stakes are raised. Are the eyes a symbol? A twisted religious ritual? A souvenir? With help from her husband, Roarke, Dallas must uncover the killer's motivation before another vision becomes another nightmare...

Visions from the Past is a clear and comprehensive examination of Aboriginal rock art. It also provides a practical overview of precisely how and why archaeologist study prehistoric art.

Throughout Michigan's varied and fascinating history, its people have been leaders. They have led the nation in the production of automobiles, iron and copper, lumber, and many agricultural products. Of even grater importance, Michigan citizens have been leaders in the movement for equitable working condicitons, civil rights, and a clean environment.

This is the history of the Yiddish cinema, and the people who shaped its development. The films were intended as entertainment but also acted to reinforce Jewish identity especially in the United States. The author travelled to fourteen countries, viewed dozens of films (some of them considered lost), and combed archives in Austria, Poland, Western Europe, the former Soviet Union and the United States to uncover details, facts, and background for this narrative. Our story begins with the early Yiddish silent movies, largely films made of Yiddish stage productions in Poland and Russia, and moves on to the innovative film productions in 1920s Soviet Union made with government support, and then on to the Golden Age of this genre In Poland and the United States from 1936-1940. Even after the height of its popularity before the war, Yiddish movies continued to be made in the late 1940s. This newly revised edition includes films of the past fifteen years, as there has been a renaissance of interest in Yiddish- and along with it, Yiddish cinema. Another special feature of this edition are interviews with Jacob Ben-Ami, Ira Greene, Joseph Green and Molly Picon, some of the key figures in Yiddish moviemaking. This fascinating and little-known story is accessible to students of film, Yiddish, Jewish culture, as well as to the general reader.