Visions Of The Past

Rosenstone investigates how a visual medium, subject to conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Employing such films as Reds, JFK, and Sans Soleil, he considers issues like the rapport between fact and film and the documentary as visionary truth.

Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.

Enhanced and Expanded with all the contents of Dreams & Visions Volume one PLUS... New Unpublished Dreams & Visions from Roger's personal files. Never before published personal commentary by Roger K. Young on many of the dreams. The full contents of "To Your Tents O' Israel" to complete the presentation of the "Tent City" concept. PURPOSE of Dreams and Visions (from Roger) The purpose and intent of this book is actually very simple. It is to perhaps convince a few more people to follow the living Prophet a little more closely, and to prepare themselves and their families for the events which lie in the (near?) future by preparing Spiritually (getting temple recommends and using them often), Physically (obtain a minimum one year supply of food, clothing, shelter and other necessities), and Mentally. And as part of this preparation to perhaps come to understand some of the events that they will likely have to pass through. Elder Oaks recently in the April 2004 General Conference encouraged all members of the Church throughout the world to "accelerate our own preparation and try to influence the preparation of those around us." This is a small effort to comply with that counsel. Chapter 1, WHY? Chapter 2, NOBODY KNOWS Chapter 3, DREAMS AND VISIONS Chapter 4, EARLY CHURCH VISIONS & PROPHECIES 180 YEARS AGO Chapter 5, DREAMS & VISIONS FROM 80-100 YEARS AGO Chapter 6, DREAMS & VISIONS FROM 30-60 YEARS AGO Chapter 7, RECENT DREAMS & VISIONS Chapter 8, SUMMARY & CONCLUSION WHY IS IT that over the last few years our beloved living prophet, President Hinckley, along with members of the Quorum of the Twelve and other General Authorities have continued emphasizing the nearness of the last days along with spiritual and physical preparation for those events?

Visions from the Past is a clear and comprehensive examination of Aboriginal rock art. It also provides a practical overview of precisely how and why archaeologist study prehistoric art.

Across generations and genres, comics have imagined different views of the future, from unattainable utopias to worrisome dystopias. These presaging narratives can be read as reflections of their authors' (and readers') hopes, fears and beliefs about the present. This collection of new essays explores the creative processes in comics production that bring plausible futures to the page. The contributors investigate portrayals in different stylistic traditions--manga, bande desinees--from a variety of theoretical perspectives. The picture that emerges documents the elaborate storylines and complex universes comics creators have been crafting for decades.

From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.