Waking The Dictator

Waking the Dictator is a study of federalism in late nineteenth century Veracruz State. It is also a politico-military analysis and an evaluation of social-revolutionary relations in the epoch of the Porfiriato and the Mexican Revolution. This study is the first modern, comprehensive, and analytical history of the Porfiriato and Mexican Revolution in Veracruz.

Where there are dictators, there are novels about dictators. But “dictator novels” do not simply respond to the reality of dictatorship. As this genre has developed and cohered, it has acquired a self-generating force distinct from its historical referents. The dictator novel has become a space in which writers consider the difficulties of national consolidation, explore the role of external and global forces in sustaining dictatorship, and even interrogate the political functions of writing itself. Literary representations of the dictator, therefore, provide ground for a self-conscious and self-critical theorization of the relationship between writing and politics itself. The Dictator Novel positions novels about dictators as a vital genre in the literatures of the Global South. Primarily identified with Latin America, the dictator novel also has underacknowledged importance in the postcolonial literatures of francophone and anglophone Africa. Although scholars have noted similarities, this book is the first extensive comparative analysis of these traditions; it includes discussions of authors including Gabriel García Márquez, Ngugi wa Thiong’o, Alejo Carpentier, Augusto Roa Bastos, Domingo Faustino Sarmiento, José Mármol, Esteban Echeverría, Ousmane Sembène , Chinua Achebe, Aminata Sow Fall, Henri Lopès, Sony Labou Tansi, and Ahmadou Kourouma. This juxtaposition illuminates the internal dynamics of the dictator novel as a literary genre. In so doing, Armillas-Tiseyra puts forward a comparative model relevant to scholars working across the Global South.

'[A] riveting novel... a fast-paced, brilliantly constructed thriller, in which the fates of the three young British protagonists hang in the balance at the end of every chapter' A. N. Wilson, SPECTATOR It is the early 1930s, and Europe is holding its breath. As Hitler's grip on power tightens, preparations are being made for the Berlin Olympics. Leni Riefenstahl is the pioneering, sexually-liberated star film-maker of the Third Reich. She has been chosen by Hitler to capture the Olympics on celluloid but is about to find that even his closest friends have much to fear. Kim Newlands is the English athlete 'sponsored' by the Blackshirts and devoted to his mercurial, socialite girlfriend Connie. He is driven by a desire to win an Olympic gold but to do that he must first pretend to be someone he is not. Alun Pryce is the Welsh communist sent to infiltrate the Blackshirts. When he befriends Kim and Connie, his belief that the end justifies the means will be tested to the core. Through her camera lens and memoirs, Leni is able to manipulate the truth about what happens when their fates collide at the Olympics. But while some scenes from her life end up on the cutting room floor, this does not mean they are lost forever... 'Profound and moving... a beautifully written evocation of turbulent times' Daily Express 'A novel rich in historical detail, but wearing its research lightly, and the story is told in a French Lieutenant's Woman kind of way, veering from the present to the past with superb flair... this novel has an uncomfortable prescience, with a plot twist at the end which is ingenious. - IRISH INDEPENDENT 'A masterly exploration of conflicting loyalties ... Sharply characterised, richly atmospheric and completely engrossing' John Preston, author of The Dig ------------------ Readers love The Dictator's Muse: ***** 'An addictive, all-consuming read' ***** 'Flows beautifully with love, hopes, desires and propaganda of the time. Fascinating, engaging and terrifying' ***** 'Thoughtful, well researched and atmospheric with engaging characters' ***** 'I can't recommend this book highly enough'

Everyone is talking about this darkly gripping story of hidden secrets, as seen on BBC2 Between the Covers Book Club. 'A gripping, intelligent, utterly-of-the-moment thriller' EMMA STONEX 'A captivating story of women's power, love and secrets' LARA PRESCOTT 'Compelling, atmospheric. It's BRILLIANT' MARIAN KEYES 'Fascinating, atmospheric, utterly gripping' LIZ HYDER 'Demands to be devoured in one sitting' GLAMOUR 'A gripping and moving debut' HARLAN COBEN 'Magnificent' CHARLOTTE PHILBY 'Spellbinding' JANE SHEMLIT 'Darkly compelling' STYLIST 'Richly imagined' THE TIMES _________ She's beautiful and beguiling... but can you trust her? Young London lawyer Laura flies to her parents' homeland for the most important defence case of her life. On trial is Marija Popa, the beautiful widow of a murdered dictator, who created fear and division in his impoverished Eastern Bloc country, hiding untold riches for himself and his family. For Laura, the case is an opportunity to make sense of her broken childhood and her distant relationship with her mother, who will not speak about her old life under the regime. But Laura is distracted by the enigmatic Marija, who claims she knew nothing of her husband's dark affairs. As Laura is led deeper into her investigation of the past, she realises that to uncover the truth, she must draw closer to the dictator's wife. But does danger lie there...? ** Coming soon from Freya Berry - THE BIRDCAGE LIBRARY ** __________ DISCOVER YOUR NEW OBSESSION... 'The ending left me breathless' LARA PRESCOTT 'Atmospheric, claustrophobic and so elegantly written' ELLERY LLOYD 'Engrossing, evocative, chillingly claustrophobic. Wonderfully written' KAREN HAMILTON 'A darkly atmospheric, rich, compulsive and page-turning read' KATE HAMER 'A masterful portrait of a woman who is both devil and angel. Like the real-life dictator's wives that inspired her, she's unforgettable' ANIKA SCOTT 'A remarkable new talent' ANTHONY HOROWITZ 'Sumptuously written... One of the most compelling literary debuts of the year' GLAMOUR 'One of the most original debuts I have read' DAISY GOODWIN 'Excellent. Immersive with strong characterisation and atmosphere' HARRIET TYCE

In the 1890s, Spanish entrepreneurs spearheaded the emergence of Córdoba, Veracruz, as Mexico’s largest commercial center for coffee preparation and export to the Atlantic community. Seasonal women workers quickly became the major part of the agroindustry’s labor force. As they grew in numbers and influence in the first half of the twentieth century, these women shaped the workplace culture and contested gender norms through labor union activism and strong leadership. Their fight for workers’ rights was supported by the revolutionary state and negotiated within its industrial-labor institutions until they were replaced by machines in the 1960s. Heather Fowler-Salamini’s Working Women, Entrepreneurs, and the Mexican Revolution analyzes the interrelationships between the region’s immigrant entrepreneurs, workforce, labor movement, gender relations, and culture on the one hand, and social revolution, modernization, and the Atlantic community on the other between the 1890s and the 1960s. Using extensive archival research and oral-history interviews, Fowler-Salamini illustrates the ways in which the immigrant and women’s work cultures transformed Córdoba’s regional coffee economy and in turn influenced the development of the nation’s coffee agro-export industry and its labor force.

This book examines anti-imperialist thought in European philosophy. It features an international group of both emerging and established scholars who directly respond to Timothy Brennan’s far-reaching call to rethink intellectual histories, literary histories, and the reading habits of postcolonialism, in relation to the anti-imperialist tradition of critique. Each contributor rethinks postcolonial and world literature, Continental thought, and intellectual history in relation to anti-imperialist histories and traditions of critique, through geographically diverse analysis. This book provides a forum for the next generation of scholars to draw on and engage with the marginal yet influential work of the first generation of dissidents within postcolonial studies. It will appeal to researchers and students in the field of postcolonial studies, world literature, geography, and Continental thought.

Madness in Buenos Aires: Patients, Psychiatrists and the Argentine State, 1880-1983 examines the interactions between psychiatrists, patients, and their families, and the national state in modern Argentina. This book offers a fresh interpretation of the Argentine state's relationship to modernity and social change during the twentieth century, while also examining the often contentious place of psychiatry in modern Argentina. Drawing on a number of previously untapped archival sources, Jonathan Ablard uses the experience of psychiatric patients as a case study of how the Argentine state developed and functioned over the last century and of how Argentines interacted with it. Ablard argues that the capacity of the Argentine state to provide social services and professional opportunities and to control the populace was often constrained to an extent not previously recognized in the scholarly literature. These limitations, including a shortage of hospitals, insufficient budgets, and political and economic instability, shaped the experiences of patients, their families, and doctors and also influenced medical and lay ideas about the nature and significance of mental illness. Furthermore, these experiences, and the institutional framework in which they were imbedded, had a profound impact on how Argentine psychiatrists discussed, not only mental illness, but also a host of related themes, including immigration, poverty, and the role of the state in mitigating social problems. Copublished with Ohio University Press

This innovative social and cultural history explores the daily lives of the lowest echelons in president Porfirio Díaz’s army through the decades leading up to the 1910 Revolution. The author shows how life in the barracks—not just combat and drill but also leisure, vice, and intimacy—reveals the basic power relations that made Mexico into a modern society. The Porfirian regime sought to control and direct violence, to impose scientific hygiene and patriotic zeal, and to build an army to rival that of the European powers. The barracks community enacted these objectives in times of war or peace, but never perfectly, and never as expected. The fault lines within the process of creating the ideal army echoed the challenges of constructing an ideal society. This insightful history of life, love, and war in turn-of-the-century Mexico sheds useful light on the troubled state of the Mexican military more than a century later.