War Is

Canada did not fight in the Vietnam War, but the conflict seized the Canadian imagination with an energy that has persisted. In War Is Here Robert McGill explains how the war contributed to a golden age for writing in Canada. As authors addressed the conflict, they helped to construct an enduring myth of Canada as liberal, hospitable, and humanitarian. For many writers, the war was one that Canadians could and should fight against, if not in person, then on the page. In this pioneering account of war-related Canadian literature McGill observes how celebrated books of the era channel Vietnam, sometimes in subtle but pervasive ways. He examines authors’ attempts to educate their readers about American imperialism and Canadian complicity, and he discusses how writers repeatedly used language evoking militarism and violence – from the figure of the United States as a rapist to the notion of Canada as a “peaceable kingdom” – in order to make Canadians feel more intensely about their country. McGill also addresses the recent spate of prize-winning Canadian novels about the war that have renewed Vietnam’s resonance in the wake of twenty-first century conflicts involving America. War Is Here vividly revisits a galvanizing time in world history and Canadian life, offering vital insights into the Vietnam War’s influence on how people think about Canada, its place in the world, and the power of the written word to make a difference.

A powerful and provocative exploration of how war has changed our society—for the better. "War! . . . . / What is it good for? / Absolutely nothing," says the famous song—but archaeology, history, and biology show that war in fact has been good for something. Surprising as it sounds, war has made humanity safer and richer. In War! What Is It Good For?, the renowned historian and archaeologist Ian Morris tells the gruesome, gripping story of fifteen thousand years of war, going beyond the battles and brutality to reveal what war has really done to and for the world. Stone Age people lived in small, feuding societies and stood a one-in-ten or even one-in-five chance of dying violently. In the twentieth century, by contrast—despite two world wars, Hiroshima, and the Holocaust—fewer than one person in a hundred died violently. The explanation: War, and war alone, has created bigger, more complex societies, ruled by governments that have stamped out internal violence. Strangely enough, killing has made the world safer, and the safety it has produced has allowed people to make the world richer too. War has been history's greatest paradox, but this searching study of fifteen thousand years of violence suggests that the next half century is going to be the most dangerous of all time. If we can survive it, the age-old dream of ending war may yet come to pass. But, Morris argues, only if we understand what war has been good for can we know where it will take us next.

A new and revised edition of Dyer's classic book, widely regarded as one of the most compelling analyses of the history of armed conflict. ""War is part of our history, but it is not in at all the same sense part of our prehistory. It is one of the innovations that occurred between nine and eleven thousand years ago when the first civilized societies were coming into being. What has been invented can be changed; war is not in our genes." With this provocative statement, Gwynne Dyer launches his brilliant discussion of the history and nature of war. He traces the growth of organized warfare through history, showing conclusively that the basic tenet has remained unchanged -- war is an act of mass violence applied against an enemy so that he will do what you want him to do. The only real change has been technological, permitting us to make war on a mass scale. At the height of the Cold War, just such a global conflagration seemed almost inevitable. But the collapse of the Iron Curtain and the ensuing political changes have forced a re-examination of the accepted fundamentals of history. Will open access to the channels of mass communication create enough shared values that we can move beyond mass warfare? Is the threat of terrorism a red herring designed to preserve the military status quo? Are our traditional military and administrative hierarchical structures still relevant? Now, more than ever in our post-September 11 world, we need Gwynne Dyer's expertise to understand the greatest and most human drama -- the act of war. Excerpt from "War "The Siamese twins, army and state, have never been separated since they were born some eight or nine thousand years ago --and most of the time the state is the stronger of the twins. Armies exist to serve the interests of the state that owns them and their legitimacy comes solely from the fact that they belong to states; similar groups of armed men, if self-employed, are generally known as rebels or bandits. This is the context in which warfare, as opposed to casual and illegitimate violence, must be seen: it is something states do, and have always done, because they believe it serves their interest. "From the Hardcover edition.

In a provocative anthology, two editors with opposing viewpoints present an unflinching collection of works reflecting on the nature of war. Marc Aronson thinks war is inevitable. Patty Campbell thinks war is cruel, deceptive, and wrong. But both agree on one thing: that teens need to hear the truthful voices of those who have experienced war firsthand. The result is this dynamic selection of essays, memoirs, letters, and fiction from nearly than twenty contributors, both contemporary and historical — ranging from Christian Bauman's wrenching "Letter to a Young Enlistee" to Chris Hedges's unflinching look at combat to Fumiko Miura's Nagasaki memoir, "A Survivor's Tale." Whether the speaker is Mark Twain, World War II correspondent Ernie Pyle, or a soldier writing a miliblog, these divergent pieces look war straight in the face — and provide an invaluable resource for teenagers today.

As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: “It gives us purpose, meaning, a reason for living.” Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies—corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force that Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

War is a fact of human nature. As long as we exist, it exists. That's how the argument goes. But longtime Scientific American writer John Horgan disagrees. Applying the scientific method to war leads Horgan to a radical conclusion: biologically speaking, we are just as likely to be peaceful as violent. War is not preordained, and furthermore, it should be thought of as a solvable, scientific problem—like curing cancer. But war and cancer differ in at least one crucial way: whereas cancer is a stubborn aspect of nature, war is our creation. It’s our choice whether to unmake it or not. In this compact, methodical treatise, Horgan examines dozens of examples and counterexamples—discussing chimpanzees and bonobos, warring and peaceful indigenous people, the World War I and Vietnam, Margaret Mead and General Sherman—as he finds his way to war’s complicated origins. Horgan argues for a far-reaching paradigm shift with profound implications for policy students, ethicists, military men and women, teachers, philosophers, or really, any engaged citizen.

"On War" by Carl von Clausewitz (translated by J. J. Graham). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Paraguayan War (1864?70) was the deadliest and most extensive interstate war ever fought in Latin America. The conflict involving Paraguay, Uruguay, Argentina, and Brazil killed hundreds of thousands of people and had dire consequences for the Paraguayan dictator Francisco Solano L¢pez and his nation. Though the Paraguayan War stirs the same emotions in South Americans as does the Civil War in the United States, there have been few significant investigations of the war available in English. In this first of two volumes, Thomas L. Whigham provides an engrossing and comprehensive account of the war's origins and early campaigns, and he guides the reader through the complexities of South American nationalism, military development, and political intrigue. Whigham portrays the conflict as bloody and inexcusable, though it paved the way for more modern societies in the continent. The Paraguayan War fills an important gap in our understanding of Latin American history.