We Became Canadians

Xiao Ling Li keeps a scrapbook to record the day she became a Canadian citizen. Includes information about Canadian citizenship.

Dutch warbrides come to Canada and tell their stories.

First published in 1997, this hilarious book launched satirist Will Ferguson's career. Challenging the notion that Canadians are "nice," the book asks, "Do we as Canadians deserve a country so great?" Tackling subjects from Canada's favorite inbred royals to the mighty beaver as national icon, from sex in a canoe to all-Canadian "superhero" Captain Canuck, Ferguson rampages across the cultural landscape. The book also provides a fast-paced, opinionated overview of telling moments in Canadian history, including its run-amok Mounties and "fun-loving days" of the country's (unacknowledged) slave trade.

In this challenging book, written as a series of open letters to an American friend, Pierre Berton reaches into his profound knowledge of the country’s history and geography to dissect, praise, explain and occasionally criticize the national character. He does so, not with abstract opinions but with apt and colourful examples taken from the past and the present: Sam Steele’s gold rush censorship of the Turkish Whirlwind Danseuse; Ontario’s grudging acceptance of beer in three Toronto ballparks; New York’s St. Patrick’s Day Parade; Lorne Greene’s rueful return to Toronto; William Van Horne’s tirade against winter carnivals; the role of Kentucky in the War of 1812; W.A.C. Bennett’s surprising takeover of the B.C. Electric Company on the day of its president’s funeral. All these apparently disconnected incidents are woven into a carefully thought-out dissection of the national character, a distillation of more than thirty years of Berton research.

In this essay which takes the form of letters written to an American friend, Berton's conviction is that Canadian culture has its own unique origins and that we are a people quite distinct from Americans. c1982.

Becoming Canadian reveals how Michiel Horn, a Dutch immigrant in Canada in the 1950's, adjusted to the process of cultural assimilation. Horn tries to make sense of the immigrant impulse to integrate socially while maintaining a respect for heritage.

Transnational Canadas marks the first sustained inquiry into the relationship between globalization and Canadian literature written in English. Tracking developments in the literature and its study from the centennial period to the present, it shows how current work in transnational studies can provide new insights for researchers and students. Arguing first that the dichotomy of Canadian nationalism and globalization is no longer valid in today’s economic climate, Transnational Canadas explores the legacy of leftist nationalism in Canadian literature. It examines the interventions of multicultural writing in the 1980s and 1990s, investigating the cultural politics of the period and how they increasingly became part of Canada’s state structure. Under globalization, the book concludes, we need to understand new forms of subjectivity and mobility as sites for cultural politics and look beyond received notions of belonging and being. An original contribution to the study of Canadian literature, Transnational Canadas seeks to invigorate discussion by challenging students and researchers to understand the national and the global simultaneously, to look at the politics of identity beyond the rubric of multiculturalism, and to rethink the slippery notion of the political for the contemporary era.