We Don T Lie Anymore

"We were never just friends…” One year ago, I gave my heart to my best friend. He threw it in the dirt and walked out of my life without a backward glance. Or so I thought. When our orbits cross once more, everything I thought I knew about my relationship with Archer Reyes is turned upside down. The captivating boy I fell in love with is gone; in his place stands a haunted man with secrets burning in his eyes. Secrets I’d do just about anything to uncover... WE DON'T LIE ANYMORE is a breathtaking story of forgiveness, friendship, and the fight for true love... It is the second installment in THE ANYMORE DUET, directly following the events of WE DON'T TALK ANYMORE.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

In a startling change of direction, cult favourite Tao Lin presents a dark and brooding tale of illicit love that is his most sophisticated and mesmerising yet. Named after the real-life writer Richard Yates, but, having nothing to do with him, Lin tracks the illicit affair between a very young writer and his underage lover. As the writer seeks to balance work and love, his young lover becomes ever more self-destructive in a play for his undivided attention. Lin's trademark minimalism takes on a new sharp-edged suspense here, zeroing in on a lacerating narrative.

The town is divided when an unspeakable act takes place involving a coach and one of the players on his Little League team, the Broken Bats. Team members and their families answer the accusations with deliberate actions that have equally forceful consequences. Reason is given through conversation as the path forward is sometimes blurred with emotion. Like in baseball, each side will have their turn at bat. A home run will be hit, but errors and choreographed outs will also be made, until the winner is decided not by those on the playing field, rather by the reader. This story is riveting with events that propel you into the lives and emotions of a young baseball team and their parents. Gripping events and deceit lay a framework for a captivating adventure, with a group of boys being thrown into an adult world. As Our Broken Selves is an ambitious attempt at understanding and gaining perspective on a subject discussed rarely in comparison to its occurrence.

Compounding is a highly productive word-formation pattern in the English language. In light of this, it is counterintuitive that English lacks a general word-formation rule for genuine verbal compounds and those appear to be very rare. But for what reason does verbal composition disqualify as a productive word-formation pattern in English? How are verbal pseudo-compounds processed and what does this imply about the way in which newly coined genuine verbal compounds would be processed? What are the factors that determine and influence the processing of English verbal compounds and pseudo-compounds? This book adopts a fresh cognitive linguistic perspective on verbal compounding and investigates the above questions with the help of experimental methods. It offers a novel and cognitive linguistically based model of mental access to verbal compounds and tries to complement the prevailing structural and typological approaches by insights on language processing.

Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it more and more possible for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.

Love, lust, boys and shopping - the main worries of a teenage girl? Not for eighteen-year-old Alice Peterson, who, at the height of her youth and an extremely promising tennis career, was diagnosed with rheumatoid arthiritis. In the midst of shock and denial, and the enduring question, 'Isn't it old people who get arthritis?', Alice had to learn to live with what quickly turned from the odd ache and pain to a very aggressive form of the illness, and rediscover a new path in life.