Women Times Three

A true story about the sex lives of three real American women, based on nearly a decade of reporting. It is a portrait of erotic longing in today's America, exposing the fragility, complexity, and inequality of female desire

Contributors delineate the range of relationships among women writers, women detectives in mystery fiction, and women readers, examining detective fiction through the eyes of actual and hypothetical women readers in a gender- and genre-specific analysis. They offer a theoretical and critical investigation of both historical and contemporary models of mystery fiction. Authors discussed include Sara Paretsky, Joan Hess, Sue Grafton, and D.R. Meredith. No index. Paper edition (unseen), $12.95. Annotation copyright by Book News, Inc., Portland, OR

In this new novel, the first by a black woman ever to win the coveted Prix Goncourt, Marie NDiaye creates a luminous narrative triptych as harrowing as it is beautiful. This is the story of three women who say no: Norah, a French-born lawyer who finds herself in Senegal, summoned by her estranged, tyrannical father to save another victim of his paternity; Fanta, who leaves a modest but contented life as a teacher in Dakar to follow her white boyfriend back to France, where his delusional depression and sense of failure poison everything; and Khady, a penniless widow put out by her husband’s family with nothing but the name of a distant cousin (the aforementioned Fanta) who lives in France, a place Khady can scarcely conceive of but toward which she must now take desperate flight. With lyrical intensity, Marie NDiaye masterfully evokes the relentless denial of dignity, to say nothing of happiness, in these lives caught between Africa and Europe. We see with stunning emotional exactitude how ordinary women discover unimagined reserves of strength, even as their humanity is chipped away. Three Strong Women admits us to an immigrant experience rarely if ever examined in fiction, but even more into the depths of the suffering heart.

Three women, all philosophers, all of Jewish descent, provide a human face for a decade of crisis in this powerful and moving book. The dark years when the Nazis rose to power are here seen through the lives of Edith Stein, a disciple of Husserl and author of La science et la croix, who died in Auschwitz in 1942; Hannah Arendt, pupil of Heidegger and Jaspers and author of Eichmann in Jerusalem, who unhesitatingly responded to Hitler by making a personal commitment to Zionism; and Simone Weil, a student of Alain and author of La pesanteur et la grâce.Following her subjects from 1933 to 1943, Sylvie Courtine-Denamy recounts how these three great philosophers of the twentieth century endeavored with profound moral commitment to address the issues confronting them. Condemned to exile, they not only sought to understand a horrible reality, but also attempted to make peace with it. To do so, Edith Stein and Simone Weil encouraged a stoic acceptance of necessity while Hannah Arendt argued for the capacity for renewal and the need to fight against the banality of evil.Courtine-Denamy also describes how as a student each woman caught the eye of her famous male teacher, yet dared to criticize and go beyond him. She explores each one's sense of her femininity, her position on the "woman question," and her relation to her Jewishness. "All three," the author writes, "are compelling figures who move us with their fierce desire to understand a world out of joint, reconcile it with itself, and, despite everything, love it."

Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname.

“A miraculous book in praise of women, in praise of both their shortcomings and their strengths” from the internationally bestselling author (l’Express). Anne, Hanna, and Anny. Three young women, free spirits all, each one at odds with the age in which they live. Despite the centuries that divide them, their stories intersect—a surprising narrative technique that lends increasing tension and richness to this novel, which builds to a thrilling crescendo of unexpected revelations. Anne lives in Flanders in the sixteenth century. She’s a mystic who talks with animals like Saint Francis; she finds God in nature and cannot understand the need for religious rituals. Yet her ideas run against the temper of the times and result in her being branded a heretic, with tragic consequences. Hanna lives in Vienna at the start of the twentieth century. She is a young noblewoman, dissatisfied with bourgeois conventions, who will find a method for uncovering the roots of her malaise in a new cure developed by a Viennese doctor by the name of Sigmund Freud. Anny is a Hollywood star of the 2000s, addicted to celebrity and to variety of illicit substances. Both her curse and her solace, acting will give her the key to an open a new chapter in her life where she will find love, companionship, and the meaning she has been searching for. “Schmitt writes movingly about three women, divided by time and distance, whose lives connect when they attempt to break free of expectations imposed by society . . . Schmitt’s three complex stories are beautifully translated and masterfully written.” —Kirkus Reviews (starred review)

"This volume explores the range of relationships among women writers, women detectives and women-centered mystery fiction, and women readers. Focusing on writers as diverse as Sara Paretsky, Joan Hess, Sarah Caudwell, P.D. James, Katherine V. Forrest, Mary Roberts Rinehart, Sue Grafton, D.R. Meredith, Dorothy L. Sayers, and Barbara Wilson, the authors analyze the development of detective fiction with a different agenda: the woman-authored woman detective. Examined through the eyes of actual and hypothetical women readers of the genre, these eleven essays concentrate new attention on the trio of reader, writer, and text when all three are modified by the terms "woman" and "mystery." The first essay collection to propose this gender and genre specific analysis, Women Times Three offers its readers a careful theoretical and critical investigation of both historical and contemporary models of consistently "new" mystery fiction." "The essays' authors are not only widely published scholar-critics of mystery/detective fiction but also dedicated fans of the genre. Familiar with the full scope of mystery fiction, they bring insight and enthusiasm to their writing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved