Wooden Statues Of The Old Kingdom

About 240 wooden statues survive from the Old Kingdom (c. 2575 - 2134 BC). The statues that can be dated by external criteria have been gathered together into a chronological catalogue and their features studied to establish dating criteria. The criteria are then applied to the remaining statues, enabling many of them to be assigned dates within individual reigns of the Old Kingdom.

About 240 wooden statues survive from the Old Kingdom (c. 2575 - 2134 BC). The statues that can be dated by external criteria have been gathered together into a chronological catalogue and their features studied to establish dating criteria. The criteria are then applied to the remaining statues, enabling many of them to be assigned dates within individual reigns of the Old Kingdom.

The book is the first complete publication of a relatively small but interesting collection of Old Kingdom monuments in the State Hermitage Museum, St. Petersburg. Twenty-two pieces are reproduced as black-and-white photographs and line drawings. Among them are two statues, fourteen reliefs and relief fragments, five offering stones and a fragment of an ointment tablet; several objects in museums of Cairo, Copenhagen, and Cambridge belonging to the same people are published as well. Most of these monuments were never published or are known only through books and periodicals in Russian that usually are not available in Egyptological libraries. Although the Hermitage pieces were acquired at antiquities dealers without any documentation, their modern history is traced and in a half of cases either their provenance is reconstructed or related monuments are found. A limited number of monuments allowed the author to discuss them to a much greater extent than it is common in museum publications and, thus, the book in spite of its structure of a catalogue virtually is a detailed study of various problems of Old Kingdom history and ideology.

In the autumn of 1997, following his sixty-fifth birthday Prof. Dr Herman te Velde retired from the chair of Egyptology at the University of Groningen. On this occasion he was presented with a volume of Egyptological studies in his honour to which colleagues and friends from all over the world contributed. Although the emphasis is on the relition of Ancient Egypt, the book covers a wide range of subjects including history and archaeology, philology and linguistics.

Cairo’s Egyptian Museum houses the largest collection of Egyptian antiquities in the world. Some 150,000 pieces are exhibited, and another 30,000 are held in storerooms. This book carries full-color illustrations of many of the masterpieces of ancient art in the museum from the decorated vases, flint knives, and palettes of the predynastic period, through the magnificent artifacts of the pharaonic period, to the beautiful tempera portraits of the Roman period.

Based on the author's thesis (Ph. D.--New York University, 1978).

During the Old Kingdom, the ancient Egyptians constructed elaborately decorated mortuary monuments for their pharaohs. By the late Old Kingdom (ca. 2435-2153 BCE), these pyramid complexes began to contain a new and unique type of statue, the so-called prisoner statues. Despite being known to Egyptologists for decades, these statues of kneeling, bound foreign captives have been only partially documented, and questions surrounding their use, treatment, and exact meaning have remained unanswered. Ancient Egyptian Prisoner Statues-the first comprehensive analysis of the prisoner statues-addresses this gap, demonstrating that the Egyptians conceived of and used the prisoner statues differently over time as a response to contemporary social, cultural, and historical changes. In the process, the author contributes new data and interpretations on topics as diverse as the purpose and function of the pyramid complex, the ways in which the Egyptians understood and depicted ethnicity, and the agency of artists in ancient Egypt. Ultimately, this volume provides a fuller understanding of not only the prisoner statues but also the Egyptian late Old Kingdom as a whole.

Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Deptartment of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.