Wright For America

From the award-winning, #1 bestselling author of A Short History of Progress comes another surprising, frightening and essential book. The USA is now the world’s lone superpower, whose deeds could make or break this century. For better and worse, America has Americanized the world. How did a marginal frontier society, in a mere two centuries, become the de facto ruler of the world? Why do America’s great achievements in democracy, prosperity and civil rights now seem threatened by forces within itself? Brimming with insight into history and human behaviour, and written in Wright’s captivating style, What Is America? shows how this came to pass; how the United States, which regards itself as the most modern country on earth, is also deeply archaic, a stronghold not only of religious fundamentalism but of “modern” beliefs in limitless progress and a universal mission that have fallen under suspicion elsewhere in the west, a rethinking driven by two World Wars and the reckless looting of our planet. A fresh, passionate look at the past and future of the world’s most powerful nation, What Is America? will reframe the debate about our neighbour and ourselves.

For his critics and biographers, the 1930s have always been the most challenging period of Frank Lloyd Wright's career. This account uses the architect's long-inaccessable archives at Taliesin West to provide a balanced evaluation of Wright in the 1930s. It separates Wright's design activities from his self-promotion and places his philosophy of individualism within the context of the times.

Pryor Wright's ultra-conservative radio show has millions of devout fans who are sure that the slurs and wild accusations fired at the liberal left prove him a true patriot. But when his venomous rantings catch Maren Garrity's twin brother in the crossfire, the struggling actress pursues her own style of justice and enlists a troupe of fellow unemployed actors to teach Wright just how powerful words can be.

A history of comic books from the 1930s to 9/11.

Each time history repeats itself, so it's said, the price goes up. The twentieth century was a time of runaway growth in human population, consumption, and technology, placing a colossal load on all natural systems, especially earth, air, and water — the very elements of life. The most urgent questions of the twenty-first century are: where will this growth lead? can it be consolidated or sustained? and what kind of world is our present bequeathing to our future?In his #1 bestseller A Short History of Progress Ronald Wright argues that our modern predicament is as old as civilization, a 10,000-year experiment we have participated in but seldom controlled. Only by understanding the patterns of triumph and disaster that humanity has repeated around the world since the Stone Age can we recognize the experiment's inherent dangers, and, with luck and wisdom, shape its outcome.

C. D. Wright takes her title from a line of legal defense, peculiar to Texas courts, in which it is held that if a man kills before having had time “to cool” after receiving an injury or an insult he is not guilty of murder. Cooling Time is a new type of book, an unruly vigil that is an interconnected memoir-poem-essay about contemporary American poetry. Ever focused on possibilities, Wright demonstrates that “the search for models becomes a search for alternatives,” and thereby defines the terms by which poets can chart their own course. These are some of the things I have touched in my life that are forbidden: paintings behind velvet ropes, electric fencing, a vault in an office, gun in a drawer, my brother’s folding money, the poet’s anus, the black holes in his heart—where his life went out of him. Tell me, what is the long stretch of road for if not to sort out the reasons why we are here and why we do what we do, from why we are not in the other lane doing what others do. Poetry is like food remarked one of my first teachers, freeing me to dislike Rocky Mountain Oysters and Robert Lowell. The menu is vast, the list of things I don’t want in my mouth relatively short. C.D. Wright, author of nine books of poetry, teaches at Brown University. She lives in Providence, Rhode Island, with poet Forrest Gander.

Frances Wright dared to take Thomas Jefferson seriously when he wrote, ' All men are created equal, ' and to assume that 'men' meant 'women' as well. Born in Scotland in 1795, she came to the United States in 1818, and spent half her adult life here, she died in Ohio in 1852, ending a lifetime devoted to promoting equality among the races and the sexes. The Marquis de Lafayette called her his adored Fanny and paid court so openly that he scandalized even his own family. The first woman to act publicly to oppose slavery. The pampered daughter of a highly stratified class society, she cast her lot with the working people, risking her health, her fortune, and her good name to realize the promise of the Declaration of Independence. With a boldness rare in women of her day, she attacked in print and in lecture halls throughout the country an economic system that allowed not only black slavery in the South but what she called wage slavery in the North. With the exception perhaps of Walt Whitman, she wrote more powerfully of sexual experience than any other American the nineteenth century.

For the first time in a deluxe boxed set, the definitive edition of Richard Wright's landmark works in the form in which he intended them to be read. Here, in authoritative texts based on the author's original typescripts and proofs, is the Library of America's acclaimed edition of Richard Wright's major works. Wright's first novel, Lawd Today!, published posthumously in 1963 and here presented for the first time in its original form, interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day in the life of a black Chicago postal worker. Uncle Tom's Children first brought Wright to national attention. The characters in these five stories struggle to survive the cruelty of racism in the South, as Wright asks what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity. Wright's masterpiece, Native Son, exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago's South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts--including the replacement of an entire scene--that Wright was forced to make by book club editors who feared offending their readers. Wright's wrenching memoir Black Boy, an eloquent account of his struggle to escape a life of poverty, ignorance and fear in his native South, was an immediate bestseller when it appeared in 1945. But Wright's complete autobiography, published for the first time in this volume as Black Boy (American Hunger), is a far more complex and probing work, chronicaling his encounter with racism in the North, his apprenticeship as a writer, and his disillusionment with the Communist Party. Wright's 1953 novel The Outsider appears here in a text that restores the many stylistic changes and long cuts made by his editors without his knowledge. When Cross Damon is mistakenly believed to have died in a subway accident, he seizes the opportunity to invent a new life for himself. The text here, based on Wright's final, corrected typescript, casts new light on his development of the style he called poetic realism. Boxed set contains Richard Wright: Early Works, 936 pp., and Richard Wright: Later Works, 887 pp., volumes #55 and #56 in the Library of America series.