Yasmine S Bellyl Button

It’s Yasmine’s first day of school and she has butterflies in her tummy! Speaking of her tummy, what’s that little round thing on it called again? And what is it for anyway? Yasmine’s Belly Button is a touching story that explores the depth of love in a mother-daughter relationship, all told through the wild imagination of a 4 year-old. Along the way, little Yasmine discovers just how connected she is to her mom and all her new classmates.

In Classroom Six, second left down the hall, Henry has been on the lookout for a friend. A friend who shares. A friend who listens. Maybe even a friend who likes things to stay the same and all in order, as Henry does. But on a day full of too close and too loud, when nothing seems to go right, will Henry ever find a friend—or will a friend find him? With insight and warmth, this heartfelt story from the perspective of a boy on the autism spectrum celebrates the everyday magic of friendship.

Love that Kitty! The most adorable picture book of the year invites the very youngest cat lovers to find Kitty in the world around them. Chloe loves kitties. She wants a cat so much that she sees Kitty everywhere she goes: at the bus stop, in her backyard, in the starry night sky, even in her dreams. From debut children's book illustrator Yasmine Surovec comes a story so adorable that if you don't already love cats you will by the time you're done reading it. In the tradition of iconic preschool books like Where's Spot?, I See Kitty uses bright, bold artwork to appeal to very young readers and charm them for generations to come.

From the bestselling author of The Dark comes another brilliantly illustrated picture book that takes on an intense childhood emotion--this time, anger--in a rollicking, kid-friendly way. Whether you're a kid or a bee, sometimes you feel so mad, you buzz around looking for people to sting and trouble to make. See how one boy, a swarm of bees, and a whole town can get riled up and then find a way to feel better through the comfort of unconditional love and community. Printed in a brilliant palette of primary colors, brimming with beautiful dots and stripes, Rilla Alexander's art sings. Not since David Shannon's No, David! have readers been given the pleasure of witnessing such uproariously terrible behavior, unbridled emotion, and ultimately, such comfort.

Gather all the ingredients/Invite all the guests. Place/Hold butter/dreams in the/in your/large saucepan/belly-button/ to begin/a little casket/ with the soup/ to close in. So instructs a “recipe” by Fizza Abbas from a debut chapbook which marks a highly original new voice in poetry. ‘Ool Jalool’ means ‘clumsy’ in Urdu and reading her work can feel like opening the door to a tumultuous kitchen with multiple pots on the stove, threatening to bubble over with paroxysmal force. With disarming energy and innovation these poems tackle the weighty subjects of miscarriage, poverty, secretrarian divide and sexual abuse. They also explore the complex issue of self-esteem and the acute apprehension suffered when trying to meet traditional expectations, a notion which is extended to the creative process itself and the poet’s experience of writing in a second language. This is work of honest self-reflection which results in an exciting discovery – poetic language found in translation. -Louise Peterkin, Author of The Night Jar

WINNER OF THE SAIF GHOBASH BANIPAL PRIZE FOR ARABIC LITERARY TRANSLATION LONGLISTED FOR THE 2022 DUBLIN LITERARY AWARD LONGLISTED FOR THE INTERNATIONAL PRIZE FOR ARABIC FICTION The lives of two women living centuries apart are connected by an enigmatic painting in this mesmerizing debut based on historical events Art historian, Yasmine, is restoring an unsigned portrait of a strikingly beautiful girl from the Napoleonic Era, when she discovers that the artist has embedded a lock of hair into the painting, something highly unusual. The mysterious painting came into the museum’s possession without record, and Yasmine becomes consumed by the secret concealed within this captivating work. Meanwhile, at the close of the French Campaign in Egypt, sixteen-year-old Zeinab, the daughter of a prominent sheikh, is drawn into French high society when Napoleon himself requests her presence. Enamored by the foreign customs of the Europeans, she finds herself on a dangerous path, one that may ostracize her from her family and culture. Seamlessly merging fiction with history, art, and politics, modern day Cairo with its opulent past, this compelling story of two women caught between worlds and entangled in matters of the heart launches an entrancing new literary voice.

Tessa Bailey, the #1 New York Times bestselling author of It Happened One Summer and Hook, Line, and Sinker, brings her signature humor and spice to this new adult rom-com trilogy... You don’t know what you’ve got until it’s gone… Police academy cadet Charlie Burns can’t believe his luck when the gorgeous blonde he meets in a bar murmurs those magic words: “Nothing serious, ’kay?” Mind-blowing, no-strings sex with Ever Carmichael—it’s the holy grail of hookups for a guy who’s too busy following in his family’s footsteps to think about getting serious. Charlie’s all about casual…that is, until Ever calls it quits and his world tilts on its axis. Ever knows that when you control the relationship game, you can’t get played. But for the first time, she wants more than short-term satisfaction. Step one: end her fling with commitment-phobic Charlie. Step two: sacrifice herself to the ruthless NYC dating scene. Yet everywhere she turns, there’s Charlie, being his ridiculously charming self. No online match or blind date compares to the criminally hot cop-in-training, but they’re over. Aren’t they? If love is a four-letter-word, why does the idea of Ever seeing someone else tie Charlie up in knots? Now he’s desperate to win her back…and a little date sabotage never hurt anyone, right?

What first appears as a tiny moving shadow, no bigger than a fly, on the dazzling horizon slowly reveals itself as the grim shape of violence and death; in the destruction left behind?the mother?s broken body, the hidden child, the crying infant?begins the story of wandering and loss, of exile and desolation that sounds all the sad echoes of disappearing Bedouin life. Set in the first half of the twentieth century, Malika Mokeddem?s Century of Locusts combines the magic of exquisitely wrought desert landscapes, the intrigue of Bedouin tales of madmen and poets, and the personal pain of exile and isolation to evoke a way of life destroyed by the scourge of settler colonialism. The book tells the braided tales of those left to resist: a wandering poet and his mute, stricken daughter, Yasmine; the lunatic Majnoun; and Majnoun's murderous sidekick, Hassan, who twitches and squints with malevolence, lurking along the story?s shadowy borders. Rippling ever outward with allusions and echoes, the tale eventually encompasses Algeria?s legendary past, its colonial injustices, and its uncertain future, even as Mokeddem?s poetry and deft touch confer life and hope on the ravaged body of this desert land.