York Notes Companions Medieval Literature

This volume spans five centuries of post-Conquest literature, written at a time in which enormous social, political and linguistic changes transformed life in Britain. Medieval genres such as Arthurian romance, lyrics, dream narratives and mystery plays are brought to life and accompanied by discussions of key debates such as “Gender and Power”, “The Emergent Individual” and “Society and Class”. Bringing together historical contexts and critical theory, this is essential reading for any student of medieval literature.

A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.

An accessible and wide-ranging introduction to the era, this Companion explores influential dramatic works by Ibsen, Shaw and Wilde; the poetry of mourning; novelistic genres, including social problem novels and sensation fiction; and the literature of the fin de siècle’s aesthetes and decadents. Cultural and historical debates – focussing on empire, national identity, science and evolution, print culture and gender – supply essential context alongside discussion of relevant critical theory.

An exploration of Gothic literature from its origins in Horace Walpole’s 1764 classic The Castle of Otranto, through Romantic and Victorian Gothic to modernist and postmodernist takes on the form. The volume surveys key debates such as Female Gothic, the Gothic narrator and nation and empire, and focuses on a wide range of texts including The Mysteries of Udolpho, Frankenstein, Jane Eyre, Dracula, The Magic Toyshop and The Shining.

A Companion to British Literature, Medieval Literature, 700 - 1450

This volume spans five centuries of post-Conquest literature, written at a time in which enormous social, political and linguistic changes transformed life in Britain. Medieval genres such as Arthurian romance, lyrics, dream narratives and mystery plays are brought to life and accompanied by discussions of key debates such as Gender and Power, The Emergent Individual and Society and Class . Bringing together historical contexts and critical theory, this is essential reading for any student of medieval literature. "

A compact collection of focused introductions to and inquiries into medieval England, representing both history and literature.

This Companion consists of slightly over 100 entries on some of the more important forms and conventions of Old and Middle English literature, especially as they are encountered in college classes and seminars. It is a Handbook that provides a short commentary on a range of items that include Alliteration, Cokayne, Demande D'Amour, Exemplum, Flyting, Gentilesse, Kenning, Rhyme Royal, Senex Amans, Trivium, Ubi Sunt, Virgil, and Wyrd. There is information on classical figures like Aristotle, Alexander and Virgil about whom medieval literary legends were common, stories that portray them very differently from the way we usually think of them. Also biblical figures like Cain, Herod, Judas, and Pilate about whom various legends were current in the Middle Ages that are no longer well-known. The entries list the recurrence of a given topic in the literature as fully as is consistent with the size of the book. With most entries there is also a very brief bibliography of scholarly work. About the Authors - Michael Murphy is Professor Emeritus of the City University of New York. James Clawson teaches in New York City.