America S Mistress

Strait-laced, pre-civil rights America wasn't ready for Eartha Kitt. Waiting for others to be ready was never her style. in America's Mistress John L. Williams captures the person behind the myth in this engaging biography but also race relations in Twentieth-century America. From humble roots on a South Carolina cotton plantation, the multilingual, possibly multi-racial chanteuse emerged seemingly from nowhere to seduce the nation and redefine cosmopolitan glamour. Blending intellect, self-awareness and unprecedented sex appeal, she was a Technicolor presence in a black-and-white world. But the key to her allure was always her mystery, and her three not-entirely-consistent autobiographies raise more questions than they answer about who she really was--whether singing, dancing, acting or drawing headlines for her romantic dalliances and political activism. Drawing on extensive original research and interviews with the people who knew her best, Williams--whose previous biographical subjects include Shirley Bassey and English civil rights activist Michael X--delivers a comprehensive, compassionate and thought-provoking record of a life that defied stereotypes, shattered boundaries, yet seemed to fall short of its potential in the end. Beginning with Eartha's tumultuous childhood, Williams makes a bold claim about the identity of her true father--a question that has never been answered. From there Williams traces her escape to Harlem, where she came into contact with leading black entertainers and found quick success as a company dancer-which, in turn, enabled her to travel the world and segue into film, television and music stardom. Williams details her time at the top of the entertainment business--when Orson Welles famously called her "the most exciting woman in the world"--with candor and striking revelations. America's Mistress focuses on how, as Eartha's social consciousness developed, she found herself awkwardly torn between the realities of Jim Crow oppression and her lucrative role as white America's ultimate sex kitten. Whether or not her decline began with her 1968 infamous public confrontation with Lady Bird Johnson (that left the First Lady in tears), the later decades of Eartha's life were marked by America's growing indifference to the woman who once captured its attention like no one before or since. But America's Mistress is ultimately a celebration of a remarkable American life that paved the way for black entertainers from Belafonte to Beyoncé. With objectivity and thoroughness, John L. Williams provides sought-after answers to tantalizing and elusive questions.

Though her work is a staple of anthologies of American poetry, Anne Bradstreet has never before been the subject of an accessible, full-scale biography for a general audience. Anne Bradstreet is known for her poem, To My Dear and Loving Husband, among others, and through John Berryman's Homage to Mistress Bradstreet. With her first collection, The Tenth Muse Lately Sprung Up in America, she became the first published poet, male or female, of the New World. Many New England towns were founded and settled by Anne Bradstreet's family or their close associates -- characters who appear in these pages.

Passionately written and supported with detailed evidence, Karen Sue Jewell reveals the formal and informal ways in which African-American women have been excluded from equal participation.

As a subtropical city and the southernmost metropolitan area in the United States, Miami has always lured both visitors and migrants from throughout the Americas. During its first half-century they came primarily from the American North, then from the Latin South, and eventually from across the hemisphere and beyond. But if Miami's seductive appeal is one half of the story, the other half is that few people have ever ended up staying there. Today, by many measures, Miami is one of the most transient of all major metropolitan areas in America. Miami: Mistress of the Americas tells the story of an urban transformation, perfectly timed to coincide with the surging forces of globalization. Author Jan Nijman connects different historical episodes and geographical regions to illustrate how transience has shaped the city to the present day, from the migrant labor camps in south Miami-Dade to the affluent gated communities along Biscayne Bay. Transience offers opportunities, connecting business flows and creating an ethnically hybrid workforce, and also poses challenges: high mobility and population turnover impede identification of Miami as home. According to Nijman, Miami is "mistress of the Americas" because of its cultural influence and economic dominance at the nexus of north and south. Nijman likens the city itself to a hotel; people check in, go about their business or pleasure, then check out. Locals, born and raised in the area, make up only one-fifth of the population. Exiles, those who have come to Miami as a temporary haven due to political or economic necessity, are typically yearning to return to their homeland. Mobiles, the affluent and well educated, who reside in Miami's most prized neighborhoods, are constantly on the move. As a social laboratory in urban change and human relationships in a high-speed, high-mobility era, Miami raises important questions about identity, citizenship, place-attachment, transnationalism, and cosmopolitanism. As such, it offers an intriguing window onto our global urban future.

The first major volume to place U.S.-centered labor history in a transnational focus, Workers Across the Americas collects the newest scholarship of Canadianist, Caribbeanist, and Latin American specialists as well as U.S. historians. These essays highlight both the supra- and sub-national aspect of selected topics without neglecting nation-states themselves as historical forces. Indeed, the transnational focus opens new avenues for understanding changes in the concepts, policies, and practice of states, their interactions with each other and their populations, and the ways in which the popular classes resist, react, and advance their interests. What does this transnational turn encompass? And what are its likely perils as well as promise as a framework for research and analysis? To address these questions John French, Julie Greene, Neville Kirk, Aviva Chomsky, Dirk Hoerder, and Vic Satzewich lead off the volume with critical commentaries on the project of transnational labor history. Their responses offer a tour of explanations, tensions, and cautions in the evolution of a new arena of research and writing. Thereafter, Workers Across the Americas groups fifteen research essays around themes of labor and empire, indigenous peoples and labor systems, international feminism and reproductive labor, labor recruitment and immigration control, transnational labor politics, and labor internationalism. Topics range from military labor in the British Empire to coffee workers on the Guatemalan/Mexican border to the role of the International Labor Organization in attempting to set common labor standards. Leading scholars introduce each section and recommend further reading.

This study establishes connections between the themes and methodologies of writers within the South Asian diaspora in the New World, and serves both serious analysts as well as beginning readers of South Asian fiction. It is an impartial study that analyzes the stylistic excellence of South Asian fiction and the clearly emergent motifs of the writers, recognizing the value of the interplay of cultural differences and the need for resolution of those differences. The book begins with a discussion of the works of Indo-Caribbean novelists Samuel Selvon and V.S. Naipaul, author of A House for Mr. Biswas and The Enigma of Arrival, thereby establishing parallels between the immigration patterns of the South Asian diaspora who first emigrated to the Caribbean long before significant numbers of South Asians came to the United States. Next, the fiction of Ruth Prawer Jhabvala (Heat and Dust), the non-fictional narratives of Ved Mehta (Face to Face), and the satire and social criticism of Bharati Mukherjee (Wife) and Chitra Banerjee Divakaruni (Sister of My Heart) are discussed. New literary voices such as those of Bapsi Sidhwa (An American Brat), Pulitzer Prize winner Jhumpa Lahiri, whose characters, plots and themes deal with universal human experiences, Akhil Sharma, Manil Suri and Samrat Upadhyay are studied for the new directions and new methods they offer. A sub-genre of young adult fiction is discovered in the novels of Dhan Gopal Mukerji, such as in his Gay-Neck: The Story of a Pigeon, and more recently in the works of Mitali Perkins and Indi Rana. Recent expatriate novelists from South Asia such as Anita Desai, Amitav Chosh, Vikram Chandra and the American editions of Vikram Seth's novels are appraised together with contemporary Indo-Canadian novelists and Indo-Caribbean novelists resident in Canada.