Anna Parnell S Political Journalism

Anna Parnell was one of Charles Stewart Parnell's two sisters and like her other sister Fanny was an avid supporter of Home Rule and Land League agitation as well as of her brother's leadership of the Irish Party. Professor Schneller discusses Anna's journalism in Ireland, Britain and the United States and shows the development of her feminism and nationalism at the time of her brothers imprisonment in Kilmainham Prison. The wider context of her writing and the emergence of a genuine women's voice in Irish party politics is also illuminated.

The Irish New Woman explores the textual and ideological connections between feminist, nationalist and anti-imperialist writing and political activism at the fin de siècle . This is the first study which foregrounds the Irish and New Woman contexts, effecting a paradigm shift in the critical reception of fin de siècle writers and their work.

This book argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"—a crucial rhetorical move for populist discourse—and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.

Knowing their Place is a comprehensive account of the public, private and intellectual life of Irish women in the Victorian age. In particular, this book looks at the steady progress of girls and women within the education system, their gradual involvement in intellectual life through amateur societies (such as the Royal Dublin Society); their emergence of independent, highly motivated scholarly and philanthropic individuals who operated within local spheres with often very considerable degrees of success and influence.

Charles Stewart Parnell (1846-1891) wrote remarkably little about himself, but he has attracted the attention of many writers, politicians, and scholars, both during his lifetime and ever since. His controversial and provocative role in Irish and British affairs had him vilified as a murderer in The Times, and afterwards dramatically vindicated by the Westminster Parliament. It cast him as a romantic hero to the young James Joyce, and a self-serving opportunist to the journalists of the Nation. Parnell has been the subject of court cases, parliamentary enquiries and debates, journalism, plays, poems, literary analysis and historical studies. For the first time all these have been collected, catalogued and cross-referenced in one volume, an invaluable resource for scholars of late nineteenth century Ireland and Britain. Divided into fifteen chapters, including a biographical sketch, the volume contains information on manuscript and archival collections, printed primary sources, Parnell's writing, Parnell's speeches in the House of Commons and outside Parliament, contemporary journalism, contemporary writing, and contemporary illustrations on Irish affairs, and a substantial list of scholarly work, including biographies, books, articles, chapters, and theses. This volume offers readers a clear record of the substantial material already available on Parnell, and in doing so offers resources to future research in this area.

This book provides an overview of Irish gender history from the end of the Great Famine in 1852 until the foundation of the Irish Free State in 1922. It builds on the work that scholars of women’s history pioneered and brings together internationally regarded experts to offer a synthesis of the current historiography and existing debates within the field. The authors place emphasis on highlighting new and exciting sources, methodologies, and suggested areas for future research. They address a variety of critical themes such as the family, reproduction and sexuality, the medical and prison systems, masculinities and femininities, institutions, charity, the missions, migration, ‘elite women’, and the involvement of women in the Irish nationalist/revolutionary period. Envisioned to be both thematic and chronological, the book provides insight into the comparative, transnational, and connected histories of Ireland, India, and the British empire. An important contribution to the study of Irish gender history, the volume offers opportunities for students and researchers to learn from the methods and historiography of Irish studies. It will be useful for scholars and teachers of history, gender studies, colonialism, post-colonialism, European history, Irish history, Irish studies, and political history. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

The Famine Diaspora and Irish American Women’s Writing considers the works of eleven North American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote.