Ash Ridley And The Phoenix

Twelve-year-old Ash waves goodbye to her miserable life as a traveling circus stablehand when she and her feisty bird, Flynn, are whisked away to the Academy of Beasts and Magic: a school where wealthy children train unicorns, manticores, and scarf-wearing ice dragons. The downside to owning such a highly magical beast? Everyone wants him. When a mysterious sorcerer suggests the Academy may have dark intentions, Ash realizes her tiny bird might be the key to saving Cascadia…or destroying it.

Explore twenty-four imaginative tales crafted by some of today’s best writers of science fiction and fantasy, all guests on the Aurora Award-winning podcast The Worldshapers during its second year, and including several international bestsellers and winners of every major award in the field, as well as newer authors just beginning what promise to be stellar careers. A woman seeking the power to see the evil hiding within others regrets receiving it. Letters written by a wizard in the past threaten a queen’s reign in the present. Competing for Earth, a human wrestler faces an alien shapeshifter in an interstellar tournament. A guide in Tibet must weigh the good of his people when asked to lead a westerner to the fabled realm of Shangri. An activist imprisoned for illegal genetic modification works with the materials at hand and the threads of the multiverse to make the world—a world, at least—a better place. A demonic agent sent to help a human turns the tables on his summoner. Like the “cabinets of curiosities” created by collectors of the sixteenth century, Shapers of Worlds Volume II displays a varied array of thought-provoking delights: tales of humour and sorrow, darkness and light, and hope and despair that are full of adventure, full of life, and sometimes full of regret. There are stories set in alternate histories, in possible futures, near and far, and in the here-and-now, taking place on Earth, on distant planets, or in fantastic realms. All arise from the innate need of human beings to create, to imagine . . . to shape worlds. Praise for Shapers of Worlds Volume I: “One of the most wide-ranging volumes I’ve encountered in terms of sub-genre. It’s rather like a speculative fiction buffet, offering steampunk, fantasy, military fiction, magic, space opera, post-apocalyptic, hard science fiction, and others . . . Inventive and varied, the collection has a lot to offer for those seeking an interesting, entertaining, and thought-provoking read.” – Lisa Timpf, The Future Fire

Illustrated with images as iconic as they are stunning and including the author's first-hand experiences on set and interviewing the great director, this magnificent book charts the extraordinary journey of Britain's greatest living director. Telling the stories behind Alien and Blade Runner, Gladiator and Black Hawk Down, and many more, it also goes in search of the themes and motifs that unite such different films, and the methods and madness of Scott's approach to his medium. This is the story of a director who has never been less than stubbornly, brilliantly, unforgettably his own man.

“I loved every page of this book. Clemens has constructed a world of magic that’s never been seen before, with a cast of beings who are so engaging and entrancing that you never want the story to end.”—John Saul On a fateful night five centuries ago, three mages made a desperate last stand, sacrificing everything to preserve the only hope of goodness in the beautiful, doomed land of Alasea. Now, on the anniversary of that ominous night, a girl-child ripens into the heritage of lost power. But before she can even comprehend her terrible new gift, the Dark Lord dispatches his winged monsters to capture her and bring him the embryonic magic she embodies. Fleeing the minions of darkness, Elena is swept toward certain doom—and into the company of unexpected allies. There she forms a band of the hunted and the cursed, the outcasts and the outlaws, to battle the unstoppable forces of evil and rescue a once-glorious empire . . . Praise for Wit’ch Fire “Wit’ch Fire grabs at your heart and tears a little hole, then tears another, and another—a brutal and beautiful ride. I can’t put the book down!”—R. A. Salvatore “Full of violence, magical pyrotechnics, and black-heared villains.”—Publishers Weekly

The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director’s feature films from cutting-edge multidisciplinary and comparative perspectives. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007). This volume divides the chapters into three major thematic groups: responsibility, remembering, and revision; real, alienated, and ideal lives; and gender, identity, and selfhood. Each section features six discrete essays, each of which forwards an original thesis about the film or films chosen for analysis. Each chapter features close readings of scenes as well as broader discussions that will interest academics, non-specialists, as well as educated readers with an interest in films as visual texts. While recognizing Scott’s undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique. Each chapter’s approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures. The Culture and Philosophy of Ridley Scott assembles the critical essays of scholars working in the fields of philosophy, literary studies, and cultural studies. An international group, they are based in the United States, Canada, Argentina, Italy, Greece, Korea, the United Kingdom, and New Zealand. The guiding assumption on the part of all the writers is that the filmmaker is the leading determiner of a motion picture’s ethos, artistic vision, and potential for audience engagement. While not discounting the production team (including screenwriters, actors, and cinematographers, among others), auteur theory recognizes the seminal role of the director as the nucleus of the meaning-making process. With Scott an active and prolific presence in the entertainment industry today, the timeliness of this volume is optimal.

This groundbreaking book is the first ever comprehensive account of avifauna in one of the most diverse and least known areas of Africa.

Ashley Eckstein grew up inspired by all things Disney. She launched Her Universe, an apparel company catering to fan girls, which has become a preferred partner for Disney and their girl power initiative. In IT'S YOUR UNIVERSE Ashley will use her story as a launching pad to inspire and empower teen girls.