Gender Culture And Disaster In Post 3 11 Japan

The Great East Japan Disaster – a compound catastrophe of earthquake, tsunami, and nuclear meltdown that began on March 11, 2011 – has ushered in a new era of cultural production dominated by discussions on safety and security, risk and vulnerability, and recovery and refortification. Gender, Culture, and Disaster in Post-3.11 Japan re-frames post-disaster national reconstruction as a social project imbued with dynamics of gender, race, and empire and in doing so Mire Koikari offers an innovative approach to resilience building in contemporary Japan. From juvenile literature to civic manuals to policy statements, Koikari examines a vast array of primary sources to demonstrate how femininity and masculinity, readiness and preparedness, militarism and humanitarianism, and nationalism and transnationalism inform cultural formation and transformation triggered by the unprecedented crisis. Interdisciplinary in its orientation, the book reveals how militarism, neoliberalism, and neoconservatism drive Japan's resilience building while calling attention to historical precedents and transnational connections that animate the ongoing mobilization toward safety and security. An important contribution to studies of gender and Japan, the book is essential reading for all those wishing to understand local and global politics of precarity and its proposed solutions amid the rising tide of pandemics, ecological hazards, industrial disasters, and humanitarian crises.

ENG: The Great East Japan Disaster - a compound catastrophe of earthquake, tsunami, and nuclear meltdown that began on March 11, 2011 - has ushered in a new era of cultural production dominated by discussions on safety and security, risk and vulnerability, and recovery and refortification. Gender, Culture, and Disaster in Post-3.11 Japan re-frames post-disaster national reconstruction as a social project imbued with dynamics of gender, race, and empire and in doing so Mire Koikari offers an innovative approach to resilience building in contemporary Japan. RUS: Великое восточнояпонское землетрясение 2011 года -- глобальная катастрофа, открывшая новую культурную эру, в которой доминируют дискуссии о безопасности, рисках и уязвимости, восстановлении и реорганизации. В книге Мирэ Коикари национальное возрождение после катастрофы рассматривается как социальный проект, опирающийся на дискурсы гендера, расы и империи.

On March 11, 2011, an underwater earthquake off the Pacific coast of Tohoku, Japan, triggered one of the most devastating tsunamis of a generation. The aftermath was overwhelming: communities were reduced to rubble, thousands of people were missing or dead, and relief organizations struggled to reach affected areas to provide aid for survivors and victims of radiation from compromised nuclear reactors. In Japan after 3/11, editors Pradyumna P. Karan and Unryu Suganuma assemble geographers, economists, humanists, and scientists to consider the complex economic, physical, and social impacts of this heartbreaking disaster. Historical geographers place the events of March 2011 in context, while other contributors assess the damage and recommend strategies for the long process of reclamation and rebuilding. The book also includes interviews with victims that explore the social implications of radioactive contamination and invite comparisons to the discrimination faced by survivors of the Hiroshima and Nagasaki bombings. Balancing the natural and social sciences, this timely volume offers not only a model of interdisciplinary research for scholars but also an invaluable guide to the planning and implementation of reconstruction.

This book extensively analyzes the literary works of fiction that draw on the Great East Japan Earthquake and Tsunami that occurred on March 11, 2011. This disaster inspired literally hundreds of fictional works in Japan from the time of the events through 2017. This response represents a unique and perhaps unprecedented cultural phenomenon in the world. Since a variety of writers in different genres, and even amateurs, have written and published books inspired by their experiences of the disaster, it is extremely difficult to cover the entire body of Japanese “post-3.11 literature”. Because of the breadth of this literary response, there is a scarcity of research on the subject available. This book offers the first comprehensive review of Japan’s recent post-disaster literary production to the English audience.

This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters—the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.

This Companion is a comprehensive examination of the varied ways in which gender issues manifest throughout culture in Japan, using a range of international perspectives to examine private and public constructions of identity, as well as gender- and sexuality-inflected cultural production. The Routledge Companion to Gender and Japanese Culture features both new work and updated accounts of classic scholarship, providing a go-to reference work for contemporary scholarship on gender in Japanese culture. The volume is interdisciplinary in scope, with chapters drawing from a range of perspectives, fields, and disciplines, including anthropology, art history, history, law, linguistics, literature, media and cultural studies, politics, and sociology. This reflects the fundamentally interdisciplinary nature of the dual focal points of this volume—gender and culture—and the ways in which these themes infuse a range of disciplines and subfields. In this volume, Jennifer Coates, Lucy Fraser, and Mark Pendleton have brought together an essential guide to experiences of gender in Japanese culture today—perfect for students, scholars, and anyone else interested in Japan, culture, gender studies, and beyond.

The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3.11’, the date of the earthquake), had a lasting impact on Japan’s identity and global image. In its immediate aftermath, mainstream media presented the country as a disciplined, resilient and composed nation, united in the face of a natural disaster. However, 3.11 also drew worldwide attention to the negative aspects of Japanese government and society, thought to have caused the unresolved situation at Fukushima. Spurred by heightened emotions following the triple disaster, the Japanese became increasingly polarised between these two views of how to represent themselves. How did literature and popular culture respond to this dilemma? Re-imagining Japan after Fukushima attempts to answer that question by analysing how Japan was portrayed in post-3.11 fiction. Texts are selected from the Japanese, English and French languages, and the portrayals are also compared with those from non-fiction discourse. This book argues that cultural responses to 3.11 had a significant role to play in re-imagining Japan after Fukushima.

Japan was shaken by the 'double disaster' of earthquake and sarin gas attack in 1995, and in 2011 it was hit once again by the 'triple disaster' of earthquake, tsunami, and nuclear meltdown. This international, multi-disciplinary group of scholars examines the state and societal responses to the disasters and social crisis.