In The Face Of Death

"Occasionally I read a book and say to myself that this is a book that I wished I had written. This is such a book! It is a delightful, practical, interesting, and inspiring book! Danai has written a soon-to-be classic in the field! Her writing is excellent! Her use of theories, concepts, history, and models are wonderful!"--Illness, Crisis and Loss "Danai PapadatouÖ[presents] an approach of Relational Care, care based on an understanding of relationships, that should be essential readingÖ.[S]he writes in an engaging and non-technical language, and manages to convey complex ideas in a manner that is accessible to all." --Colin Murray Parkes, OBE, MD, FRCPsych President, Cruse: Bereavement Care (From the Foreword) ì[A] wonderful contribution to the literature on caregiving and her well thought out ideas about relational caregiving are on the cutting edge. Congratulations.î -- Lynne Ann DeSpelder CoAuthor, The Last Dance: Encountering Death and Dying, 8th edition "This is no ordinary academic textbook. It is nothing short of a masterpiece in which Papadatou provides the field of death, dying and bereavement with invaluable and constructive insights into the world of caring for the dying and bereaved."--Grief Matters "This is a fascinating book, applying important theoretical modelsÖin order to describe and speculate about how professionals manage to work in an environment where suffering and grief are constantly present. This is an important and substantial addition to the mostly self-help literature about self-care for caregivers."--Doody's Medical Reviews In the Face of Death explores the experiences of health care professionals who care for the seriously ill, the dying, and the bereaved. In this book, Danai Papadatou offers a practical approach to caregiving, as well as a breadth and depth of insight into both the patient's and the caregiver's responses to death. The author discusses the issues and challenges health care professionals face when treating dying and bereaved patients. Topics include: compassion fatigue, the inevitability of suffering and the potential for growth, suffering in the workplace, team functioning in death situations, and team resilience. The main themes are: The Caring Relationship focuses on the relationship between the care provider and the person who is dying or grieving, and proposes a new, relationship-based model of care The Care Provider in Death Situations addresses the health professional's personal responses to death, using a model that illustrates the grieving process of the health professional The Team in the Face of Death provides recommendations for effective, interdisciplinary care services that support dying or bereaved patients as well as the health care provider

"Those who know me call me Old He, and they also know that I've worked in a crematorium for my entire life." Here begins Mu Cao's novel In the Face of Death We Are Equal, an unrelentingly realistic portrait of working-class gay men in the underbelly of Chinese society. He Donghai is days away from his sixtieth birthday and long-awaited retirement from his job as a corpse burner at a Beijing crematorium. As he approaches the momentous day, he reflects on his life and his relationship with a special group of young men who live and love on the margins of Chinese society. One of them is Ah Qing, a young migrant worker who leaves his village in Henan Province to earn a living in cities--and who has an unexpected personal connection to He. Through a disrupted and nonlinear narrative technique, and alternating between first, second, and third person, In the Face of Death We Are Equal tells the story of Ah and other young men like him. Sometimes enraging, often humorous, but always powerful, this novel explores the economic and sexual exploitation of young men and women from China's impoverished countryside who seek survival in the shadow of China's economic "miracle." Deftly translated by Scott E. Myers, it is the first title in Seagull's new Pride List, which showcases important queer writing from around the world. Written in Mu Cao's trademark earthy, sometimes graphic, idiom, In the Face of Death We Are Equal will be a valuable addition to queer and Chinese literature in translation.

In Shadow Man, Cody McFadyen took the suspense thriller where other writers have feared to tread. He introduced readers to a heroine every bit as dark and edgy as the serial killers she hunts: Special Agent Smoky Barrett. Now, in his latest novel, McFadyen brings Agent Barrett back to track down a killer who breaks all the rules. “I want to talk to Smoky Barrett or I’ll kill myself.” The girl is sixteen, at the scene of a grisly triple homicide, and has a gun to her head. She claims “The Stranger” killed her adoptive family, that he’s been following her all her life, killing everyone she ever loved, and that no one believes her. No one has. Until now. Special Agent Smoky Barrett is head of the violent crimes unit in Los Angeles, the part of the FBI reserved for tracking down the worst of the worst. Her team has been handpicked from among the nation’s elite law enforcement specialists and they are as obsessed and relentless as the psychos they hunt; they’ll have to be to deal with this case. For another vicious double homicide reveals a killer embarked on a dark crusade of trauma and death: an “artist” who’s molding sixteen-year-old Sarah into the perfect victim—and the ultimate weapon. But Smoky Barrett has another, more personal reason for catching The Stranger—an adopted daughter and a new life that are worth protecting at any cost. This time Smoky is going to have to put it all on the line. Because The Stranger is all too real, all too close, and all too relentless. And when he finally shows his face, if she’s not ready to confront her worst fear, Smoky won’ t have time to do anything but die.

“A MASTERPIECE OF THRILLER AND MYSTERY. Blake Pierce did a magnificent job developing characters with a psychological side so well described that we feel inside their minds, follow their fears and cheer for their success. Full of twists, this book will keep you awake until the turn of the last page.” --Books and Movie Reviews, Roberto Mattos (re Once Gone) FACE OF DEATH is book #1 in a new FBI thriller series by USA Today bestselling author Blake Pierce, whose #1 bestseller Once Gone (Book #1) (a free download) has received over 1,000 five star reviews. FBI Special Agent Zoe Prime suffers from a rare condition which also gives her a unique talent—she views the world through a lens of numbers. The numbers torment her, make her unable to relate to people, and give her a failed romantic life—yet they also allow her to see patterns that no other FBI agent can see. Zoe keeps her condition a secret, ashamed, in fear her colleagues may find out. Yet when a serial killer strikes across the Midwest, strangling women in remote places and seemingly at random, Zoe, for the first time, is stumped. Is there a pattern? Can there be no pattern at all? Or is this killer as obsessed with numbers as she is? In a mad race against time, Zoe must enter the diabolical mind of a killer who always seems to be one step ahead of her, and stop him from claiming his next victim before it’s too late. At the same time, she must keep at bay her own demons, which may ultimately prove to be even more threatening. An action-packed thriller with heart-pounding suspense, FACE OF DEATH is book #1 in a riveting new series that will leave you turning pages late into the night. Books #2 and #3 in the series—FACE OF MURDER and FACE OF FEAR—are also available!

In the fourth book in the series, Darkman must take to the night once again to stop a vicious, rogue CIA agent known only as Rondo, who wants the secret of Darkman's skin for his own evil plans. Once he possesses the technology, he will use it to impersonate the president and forge an empire with himself as leader.

This volume, written by eleven first-class scholars, brings into focus the Resurrection message of the New Testament. Much more than just biblical exposition, these essays demonstrate how the resurrection both provides the basis for joyful living now despite the shadow of death and undergirds the Christian belief in a future after death.

There was a time in screen culture when the facial close-up was a spectacular and mysterious image... The constant bombardment of the super-enlarged, computer-enhanced faces of advertising, the endless 'talking heads' of television and the ever-changing array of film stars' faces have reduced the face to a banal image, while the dream of early film theorists that the 'giant severed heads' of the screen could reveal 'the soul of man' to the masses is long since dead. And yet the end of this dream opens up the possibility for a different view of the face on the screen. The aim of the book is to seize this opportunity to rethink the facial close-up in terms other than subjectivity and identity by shifting the focus to questions of death and recognition. In doing so, the book proposes a dialectical reversal or about-face. It suggests that we focus our attention on the places in contemporary media where the face becomes unrecognisable, for it is here that the facial close-up expresses the powers of death. Using Walter Benjamin's theory of the dialectical image as a critical tool, the book provides detailed studies of a wide range of media spectacles of faces becoming unrecognisable. It shows how the mode of recognition enabled by these faces is a shock experience that can open our eyes to the underside of the mask of self - the unrecognisable mortal face of self we spend our lives trying not to see. Turning on itself, so to speak, the face exposes the fragile relationship between social recognition and facial recognizability in the images-cultures of contemporary media.

Suffering and death are two topics that are frequently referred to in the Epistle to the Hebrews, but have rarely been examined within scholarship on this important New Testament text. Dyer redresses the balance in this study of these topics, conducting a thorough investigation using semantic domain analysis. He incorporates recent advancements in modern linguistics, in particular the 'context of situation', and then connects these topics to the social situation addressed in Hebrews. In so doing he is able to reveal how the author is responding to the reality of suffering in the lives of his audience. With this awareness, it becomes clear how the author also responds to his audience's pain by creating models of endurance in suffering and death. These serve to motivate his audience toward similar endurance within their own social context. Dyer shows that it is possible to make significant determinations about the social setting of Hebrews based upon an examination and analysis of the language used therein.