Jane And The Wandering Eye

As Christmas of 1804 approaches, Jane Austen finds herself "insupportably bored with Bath, and the littleness of a town." It is with relief that she accepts a peculiar commission from her Gentleman Rogue, Lord Harold Trowbridge—to shadow his niece, Lady Desdemona, who has fled to Bath to avoid the attentions of the unsavoury Earl of Swithin. But Jane's idle diversion turns deadly when a man is discovered stabbed to death in the Theatre Royal. Adding to the mystery is an unusual object found on the victim's body—a pendant that contains a portrait of an eye! As Jane's fascination with scandal leads her deeper into the investigation, it becomes clear that she will not uncover the truth without some dangerous playacting of her own....

As Christmas of 1804 approaches, Jane Austen finds herself " insupportably bored with Bath, and the littleness of a town." It is with relief that she accepts a peculiar commission from her Gentleman Rogue, Lord Harold Trowbridge-- to shadow his niece, Lady Desdemona, who has fled to Bath to avoid the attentions of the unsavoury Earl of Swithin. But Jane's idle diversion turns deadly when a man is discovered stabbed to death in the Theatre Royal. Adding to the mystery is an unusual object found on the victim's body-- a pendant that contains a portrait of an eye As Jane's fascination with scandal leads her deeper into the investigation, it becomes clear that she will not uncover the truth without some dangerous playacting of her own....

For everyone who loves Jane Austen . . . the second tantalizing mystery in a new series that transforms the beloved author into a dazzling sleuth! Jane and her family are looking forward to a peaceful holiday in the seaside village of Lyme Regis. Yet on the outskirts of town an overturned carriage forces the shaken travelers to take refuge at a nearby manor house. And it is there that Jane meets the darkly forbidding yet strangely attractive Mr. Geoffrey Sidmouth. What murky secrets does the brooding Mr. Sidmouth seek to hide? Jane suspects the worst—but her attention is swiftly diverted when a man is discovered hanged from a makeshift gibbet by the sea. The worthies of Lyme are certain his death is the work of “the Reverend,” the ringleader of the midnight smuggling trade whose identity is the town's paramount mystery. Now, it falls to Jane to entrap and expose the notorious Reverend . . . even if the evidence points to the last person on earth she wants to suspect . . . a man who already may have won her heart.

In her sixth engrossing outing, Jane Austen employs her delicious wit and family ties to the Royal Navy in a case of murder on the high seas. Somewhere in the picturesque British port of Southampton, among a crew of colorful, eccentric, and fiercely individual souls, a killer has come ashore. And only Jane can fathom the depths of his ruthless mind.... Jane and the Prisoner of Wool House “I will assert that sailors are endowed with greater worth than any set of men in England.” So muses Jane Austen as she stands in the buffeting wind of Southampton’s quay beside her brother Frank on a raw February morning. Frank, a post captain in the Royal Navy, is without a ship to command, and his best prospect is the Stella Maris, a fast frigate captained by his old friend Tom Seagrave. “Lucky” Tom — so dubbed for his habit of besting enemy ships — is presently in disgrace, charged with violating the Articles of War. Tom’s first lieutenant, Eustace Chessyre, has accused Seagrave of murder in the death of a French captain after the surrender of his ship. Though Lucky Tom denies the charge, his dagger was found in the dead man’s chest. Now Seagrave faces court-martial and execution for a crime he swears he did not commit. Frank, deeply grieved, is certain his friend will hang. But Jane reasons that either Seagrave or Chessyre is lying — and that she and Frank have a duty to discover the truth. The search for the captain’s honor carries them into the troubled heart of Seagrave’s family, through some of the seaport’s worst sinkholes, and at long last to Wool House, the barred brick structure that serves as gaol for French prisoners of war. Risking contagion or worse, Jane agrees to nurse the murdered French captain’s imprisoned crew — and elicits a debonair surgeon’s account of the Stella Maris’s battle that appears to clear Tom Seagrave of all guilt. When Eustace Chessyre is found murdered, the entire affair takes on the appearance of an insidious plot against Seagrave, who is charged with the crime. Could any of his naval colleagues wish him dead? In an era of turbulent intrigue and contested amour, could it be a case of cherchez la femme ... or a veiled political foe at work? And what of the sealed orders under which Seagrave embarked that fateful night in the Stella Maris? Death knocks again at Jane’s own door before the final knots in the killer’s net are completely untangled. Always surprising, Jane and the Prisoner of Wool House is an intelligent and intriguing mystery that introduces Jane and her readers to “the naval set” — and charts a true course through the amateur sleuth’s most troubled waters yet.

It's with a heavy heart that Jane Austen takes up a new residence at Chawton Cottage in Hampshire. Secretly mourning the lost love of her life, she's stunned to learn that the late Lord Harold Trowbridge has made her heir to an extraordinary bequest: a Bengal chest filled with his diaries, letters, and most intimate correspondence. From these, Jane is expected to write a memoir of the Gentleman Rogue for posterity. But before she can put pen to paper on this labor of love, she discovers a corpse in the cellar of her new home. The dead man was a common laborer, and a subsequent coroner's examination shows he was murdered elsewhere and transported to Chawton Cottage. Suddenly Jane and her family are thrust into the center of a brewing scandal in this provincial village that doesn't take kindly to outsiders in general—and to Austens in particular. And just as Jane glimpses a connection between the murder and the shattering truth concealed somewhere in Lord Harold's papers, violent death strikes yet another unsuspecting vicitim. Suddenly there are suspects and motives everywhere Jane looks—local burglaries, thwarted passions, would-be knights, and members of the royal family itself who want Lord Harold hushed . . . even in death. As the tale of one man's illustrious life unfolds—a life that runs a parallel course to the history of two continents—Jane races against time to catch a cunning killer before more innocent lives are taken. But her determination to protect Lord Harold's legacy could exact the costliest price of all: her own life. Jane and His Lordship's Legacy is historical suspense writing at its very finest, graced with insight, perception, and uncommon intelligence of its singular heroine in a mystery that will test the mettle of her mind and heart.

The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. This dictionary of fictional detectives helps readers learn about the series in which their favorite detectives are featured. Included are alphabetically arranged entries on roughly 150 fictional detectives, which provide information about the works in which the detective appears, the locales in which the detective operates, the detective's investigative methods, and other important information. Helpful bibliographical citations direct the reader to other interesting works. The volume closes with a selected, general bibliography; various appendices; and an extensive index. The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. Many of the most popular mystery books appear in series, and these series feature carefully developed detectives.

For everyone who loves Jane Austen . . . a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth! On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune . . . as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help. And Jane finds herself embroiled in a perilous investigation that will soon have her following a trail of clues that leads all the way to Newgate Prison and the House of Lords—a trail that may well place Jane’s own person in the gravest jeopardy. Praise for Jane and the Unpleasantness at Scargrave Manor “There’s plenty to enjoy in this crime-solving side of Jane. . . . [She] is as worthy a detective as Columbo.”—USA Today “Happily succeeds on all levels: a robust tale of manners and mayhem that faithfully reproduces the Austen style—and engrosses to the finish.”—Kirkus Reviews “Splendid fun!”—Star Tribune, Minneapolis

From the first publication of Pride and Prejudice to recent film versions of her life and work, Jane Austen has continued to provoke controversy and inspire fantasies of peculiar intimacy. Whether celebrated for her realism, proto-feminism, or patrician gentility, imagined as a subversive or a political conservative, Austen generates passions shaped by the ideologies and trends of her readers' time and by her own memorable stories, characters, and elusive narrative cool. In this book, Rachel M. Brownstein considers constructions of Jane Austen as a heroine, moralist, satirist, romantic, woman, and author and the changing notions of these categories. She finds echoes of Austen's insights and techniques in contemporary Jane-o-mania, the commercially driven, erotically charged popular vogue that aims paradoxically to preserve and liberate, to correct and collaborate with old Jane. Brownstein's brilliant discussion of the distinctiveness and distinction of Austen's genius clarifies the reasons why we read the novelist-or why we should read her-and reorients the prevailing view of her work. Reclaiming the rich comedy of Austen while constructing a new narrative of authorship, Brownstein unpacks the author's fascinating entanglement with readers and other admirers.