Pippi Moves In

THE LOST MASTERPIECE FROM ASTRID LINDGREN'S CHILDREN'S CLASSIC Pippi Moves In marks the first time that the legendary Pippi Longstocking comics by the famed children's author and creator Astrid Lindgren and Danish illustrator Ingrid Vang Nyman will be published outside of Scandinavia in thirty years, as well as their first ever publication in English. The outspoken strong-girl with the carrot-colored pigtails and the mismatched socks has enthralled generations of children the world over with her fabulous exploits at Villa Villekulla, where she lives with her horse and monkey. Countless translations of the chapter books are available in more than sixty languages. Pippi is Sweden's best-known children's export, making it all the more remarkable that D+Q has discovered what will be a three-volume series. The comics are re-imaginings of the classic chapter book stories and were originally published in the Swedish magazine Humpty Dumpty in 1957–1959, a decade after the original books. The comics spotlight both Lindgren's brilliant writing and Vang Nyman's bold bright colors that seem presciently and eerily modern. The original illustrator for the chapter books, Vang Nyman was an avant-garde champion of the importance of children's literature who insisted that art in children's books needed to meet the same esthetic standards as art in any other medium. Sadly Vang Nyman never achieved international success, and tragically committed suicide in 1959 due to mental health issues, while Lindgren went on to become one of the world's best-loved writers with more than 145 million books sold worldwide. Similar to D+Q's 2005 unearthing of the Tove Jansson's Moomin comic strip, which has more than 100,000 units in print, these mid-century classics are waiting to be discovered and enjoyed by the world's legions of Pippi fans, both young and old.

ONE OF USA TODAY POP CANDY'S BEST COMICS OF 2013! The world's most beloved strong-girl fights fires, saves babies, and causes mischief at a tea party Pippi Longstocking returns to fix everything in the second volume of comics written by the series creator, Astrid Lindgren, and illustrated by the original Pippi artist, Ingrid Vang Nyman. It is Pippi's birthday, which means there is a lot of fun to be had! Join Pippi, Annika, and Tommy in their adventures on board a ship, hosting farewell parties, and visiting with Pippi's father, the island king. Bright colors, zany illustrations, and, of course, an irrepressibly joyful, strong-willed heroine: Lindgren and Vang Nyman's brilliant work guarantees that Pippi Fixes Everything will become an instant classic for young and old alike.

"The stories are funny and mischievous and ahead of their time." —USA Today, Best Comics of 2013 The world's strongest girl, Pippi Longstocking, is back with a fresh set of funny problems and even funnier solutions. In Pippi Won't Grow Up, she takes on school quizzes, refuses to be evicted from her home, and brings Tommy and Annika to visit the island where her father lives. Astrid Lindgren's expert storytelling and Ingrid Vang Nyman's vivid characters and bright colors make this eye-catching volume stand out.

Pippi and her friends, Tommy and Annika, attend the circus where Pippi walks the tightrope and wrestles with the World's Strongest Man

Do you know Pippi Longstocking? There's no one quite like her! Her cheeky, dare-devil spirit is much loved throughout the world, making her one of the all-time greatest children's characters.

The beloved story of a spunky young girl and her hilarious escapades. Tommy and his sister Annika have a new neighbor, and her name is Pippi Longstocking. She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a pet monkey named Mr. Nilsson. Whether Pippi’s scrubbing her floors, doing arithmetic, or stirring things up at a fancy tea party, her flair for the outrageous always seems to lead to another adventure. "A rollicking story." —The Horn Book

This volume strengthens interest and research in the fields of both Childhood Studies and Nordic Studies by exploring conceptions of children and childhood in the Nordic countries (Denmark, Finland, Iceland, Norway, and Sweden). Although some books have been written about the history of childhood in these countries, few are multidisciplinary, focus on this region as a whole, or are available in English. This volume contains essays by scholars from the fields of literature, history, theology, religious studies, intellectual history, cultural studies, Scandinavian studies, education, music, and art history. Contributors study the history of childhood in a wide variety of sources, such as folk and fairy tales, legal codes, religious texts, essays on education, letters, sermons, speeches, hymns, paintings, novels, and school essays written by children themselves. They also examine texts intended specifically for children, including text books, catechisms, newspapers, songbooks, and children’s literature. By bringing together scholars from multiple disciplines who raise distinctive questions about childhood and take into account a wide range of sources, the book offers a fresh and substantive contribution to the history of childhood in the Nordic countries between 1700 and 1960. The volume also helps readers trace the historical roots of the internationally recognized practices and policies regarding child welfare within the Nordic countries today and prompts readers from any country to reflect on their own conceptions of and commitments to children.

Part coming of age, part call to action, this fast-paced #ownvoices novel about a Deaf teenager is a unique and inspiring exploration of what it means to belong. Smart, artistic, and independent, sixteen year old Piper is tired of trying to conform. Her mom wants her to be “normal,” to pass as hearing, to get a good job. But in a time of food scarcity, environmental collapse, and political corruption, Piper has other things on her mind—like survival. Piper has always been told that she needs to compensate for her Deafness in a world made for those who can hear. But when she meets Marley, a new world opens up—one where Deafness is something to celebrate, and where resilience means taking action, building a com-munity, and believing in something better. Published to rave reviews as Future Girl in Australia (Allen & Unwin, Sept. 2020), this empowering, unforgettable story is told through a visual extravaganza of text, paint, collage, and drawings. Set in an ominously prescient near future, The Words in My Hands is very much a novel for our turbulent times.