Ruzbihan Baqli

The first full-length study devoted tothe life and mystical experiences of one of the outstanding figures in Persian Sufism.

Analyzes the place of beauty in the Sufi understanding of God, the world, and the human being through the writings of Sufi scholar and saint Rūzbihān Baqlī. According to Muhammad, “God is beautiful and He loves beauty.” Yet, Islam is rarely associated with beauty, and today, a politicized Islam dominates many perceptions. This work tells a forgotten story of beauty in Islam through the writings of celebrated but little-studied Sufi scholar and saint Rūzbihān Baqlī (1128–1209). Rūzbihān argued that the pursuit of beauty in the world and in oneself was the goal of Muslim life. One should become beautiful in imitation of God and reclaim the innate human nature created in God’s beautiful image. Rūzbihān’s theory of beauty is little known, largely because of his convoluted style and eccentric terminology in both Persian and Arabic. In this book, Kazuyo Murata revives Rūzbihān’s ideas for modern readers. She provides an overview of Muslim discourse on beauty before Rūzbihān’s time; an analysis of key terms related to beauty in the Qur’ān, Ḥadīth, and in Rūzbihān’s writings; a reconstruction of Rūzbihān’s understanding of divine, cosmic, and human beauty; and a discussion of what he regards as the pinnacle of beauty in creation, the prophets, especially Adam, Abraham, Joseph, Moses, and Muhammad. Kazuyo Murata is Lecturer in Islamic Studies at King’s College London and coeditor (with Mohammed Rustom and Atif Khalil) of In Search of the Lost Heart: Explorations in Islamic Thought by William C. Chittick, also published by SUNY Press.

A unique case in the genre of Islamic autobiographies, this text depicts the life of R?zbih?n al-Baql? (d. 1209) through his mystical visions as he appears in the unseen world (" lam al-ghayb") in the company of God, saints, prophets, and angels.

Explores the terms, concepts, personalities, historical events, and institutions that helped shape the history of this religion and the way it is practiced today.

"This book opens before us a world of fragrant roses, visions of incredible boldness, described by one of the greatest visionaries in the realm of mystical love in Islam, Ruzbihan. The reader is Transported by this congenial translation into the sphere of Absolute Beauty, and overwhelming Divine Love".

Named an Outstanding Academic Title of the Year for 2013 by Choice. The self has a history. In the West, the idea of the soul entered Christianity with the Church Fathers, notably Augustine. During the Renaissance the idea of the individual attained preeminence, as in the works of Montaigne. In the 17th century, philosophers such as Descartes formulated notions of self-hood that did not require a divine foundation; in the next century, Hume grew skeptical of the self's very existence. Ideas of the self have changed markedly since the Romantic period and most scholars today regard it as at best a mental construct. First-person genres such as diaries and memoirs have provided an outlet for self-expression. Protestant diaries replaced the Catholic confessional, but secular diaries such as Pepys's may reveal yet more about the self. After Richardson, novels competed with diaries and memoirs as vehicles of self-expression, though memoirs survived and continue to thrive, while the diary has found a new incarnation in the personal blog. Writing the Self narrates the intertwined histories of the self and of self-expression through first-person literature.

For years, Dale Brown has interviewed American writers, listening particularly for what they have to say about "wrestling with the sacred" in their writing. In this book, a follow-up to his earlier collection, Of Fiction and Faith, Brown gives readers the opportunity to listen in on his thoughtful conversations with ten contemporary writers.While many of these authors shy away from being labeled "Christian" writers, they all have much truth to tell through their work as they struggle with expressing both faith and doubt. The conversations recorded here offer a fresh dialogue on the power of art to sustain faith in unexpected ways.Interviews with: Eleanor Taylor Bland, David James Duncan, Terence Faherty, Ernest Gaines, Philip Gulley, Ron Hansen, Silas House, Jan Karon, Sheri Reynolds, Lee Smith.