Shifting Grounds

In a city that has forgotten and erased much of its history, there are still places where traces of the past can be found. Deep histories, both natural and human, have been woven together over hundreds of years in places across Tāmaki Makaurau Auckland, forming potent sites of national significance. This stunning book unearths these histories in three iconic landscapes: Pukekawa/Auckland Domain, Maungakiekie/One Tree Hill and the Ōtuataua Stonefields at Ihumātao. Approaching landscapes as an archive, Lucy Mackintosh delves deeply into specific places, allowing us to understand histories that have not been written into books or inscribed upon memorials, but which still resonate through Auckland and beyond. Shifting Grounds provides a rare historical assessment of Tāmaki Makaurau Auckland's past, with findings and stories that deepen understanding of New Zealand history.

A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of the genre still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations to the immersive environments of Kent Monkman's dioramas, this landscape art resonates with a fully embodied and embedded subjectivity. In the works of these and many other Native artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' sustained engagement not only with land and landscape but also with the history of representation itself. A Helen Marie Ryan Wyman Book Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/shifting-grounds

The American Civil War brought with it a crisis of nationalism. This text reinterprets southern conceptions of allegiance, identity, and citizenship within the contexts of antebellum American national identity and the transatlantic 'Age of Nationalism.'

Los Angeles has attracted intense attention as a "world city" characterized by multiculturalism and globalization. Yet, little is known about the historical transformation of a place whose leaders proudly proclaimed themselves white supremacists less than a century ago. In The Shifting Grounds of Race, Scott Kurashige highlights the role African Americans and Japanese Americans played in the social and political struggles that remade twentieth-century Los Angeles. Linking paradigmatic events like Japanese American internment and the Black civil rights movement, Kurashige transcends the usual "black/white" dichotomy to explore the multiethnic dimensions of segregation and integration. Racism and sprawl shaped the dominant image of Los Angeles as a "white city." But they simultaneously fostered a shared oppositional consciousness among Black and Japanese Americans living as neighbors within diverse urban communities. Kurashige demonstrates why African Americans and Japanese Americans joined forces in the battle against discrimination and why the trajectories of the two groups diverged. Connecting local developments to national and international concerns, he reveals how critical shifts in postwar politics were shaped by a multiracial discourse that promoted the acceptance of Japanese Americans as a "model minority" while binding African Americans to the social ills underlying the 1965 Watts Rebellion. Multicultural Los Angeles ultimately encompassed both the new prosperity arising from transpacific commerce and the enduring problem of race and class divisions. This extraordinarily ambitious book adds new depth and complexity to our understanding of the "urban crisis" and offers a window into America's multiethnic future.

This 11th issue of the Anthropological Journal on European Cultures is dedicated to presenting ongoing and recent innovative ethnographic work on Europe. Prompted by relentless social, political and cultural reconfigurations 'on the ground', the issue seeks to explore the challenges that these pose to ethnographic fundamentals. In doing so, it takes a broad and inclusive approach to what constitutes ethnography, considering questions of theory and practice in and beyond the field, and provocatively reflecting on what constitutes 'the field' itself. Fundamentals that are put under the Spotlight in the volume are: place and space, history and time, disciplinarity, relationships between ethnographic and other sites and modes of expertise, and forms of representation and reception. All of these, as we show, are in a state of movement - they are all destabilised by ongoing change within the world and within anthropology itself. A challenge for contemporary ethnography is to find ways of wor

The American Civil War brought with it a crisis of nationalism. This text reinterprets southern conceptions of allegiance, identity, and citizenship within the contexts of antebellum American national identity and the transatlantic 'Age of Nationalism.'

Shifting Grounds is an intriguing, lush, genre-bending debut novel about a young man, Omusha, who longs for more in life than the cards he's been dealt —too often before his relationships can blossom, a heartbreaking incident seems to cut the story short. With his mother's prejudices finally taking centre stage, Omusha falls in love with a beautiful young girl from his village; from their first encounter, Omusha feels a connection with Onivenu that he can't ignore. But even as she seems to reciprocate his feelings, and they get married, she suddenly becomes frustratingly distant and cold, making Omusha wonder what she's hiding and, thus, embarks on a quest to unravel her secrets. What follows is a long journey of hopes, disloyalty, betrayals, falsehood, and, ultimately, of love. The Author, Ojo Akin-Longe, crafts an engaging, satisfying build of narrative, a character-driven tale dotted with uncanny glimpses of different worlds of love and how prejudices and shifts can change everything, all of which come together and crescendo into theatrics that will leave the reader reeling. Shifting Grounds builds suspense and emotion, revealing itself page by page and layer by layer; it is cleverly written, pleasingly unconventional, and highly entertaining.

A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers—and settlers—into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick’s tactile paintings to the eerie soundscapes of Alan Michelson’s videos to the immersive environments of Kent Monkman’s dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists’ engagement not only with land and landscape but also with the history of representation itself.