Studies In Classic American Literature

Studies In Classic American Literature Is Valuable Not Only For The Light It Sheds On Eighteenth And Nineteenth Century American Consciousness, Telling 'The Truth Of The Day', But Also As A Prime Example Of Lawrence'S Learning, Passion And Integrity Of Judgement.To Cite Herbert J. Seligmann, 'Studies In Classic American Literature Alone Is A Foundation For A New American Critical Literature. Lawrence Fertilizes With Fire. No Living American Writing In A Critical Sense From Now On Will Be Able To Ignore Him.'Lawrence Asserted That 'The Proper Function Of A Critic Is To Save The Tale From The Artist Who Created It' In These Highly Individual, Penetrating Essays He Has Exposed 'The American Whole Soul' Within Some Of That Continent'S Major Works Of Literature. In Seeking To Establish The Status Of Writings By Such Authors As Poe, Melville, Fenimore Cooper And Whitman, Lawrence Himself Has Created A Classic Work.

Landmark volume of D. H. Lawrence's writings on American literature including major essays on Poe, Hawthorne, Melville and Whitman.

The author of such classics as Sons and Lovers and The Rainbow critically examines classic American literature in this collection of essays. This anthology provides a deep look at D. H. Lawrence’s thoughts on American literature, including notable essays on Benjamin Franklin, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and Walt Whitman. Originally published in 1923, this volume has corrected and uncensored the text, and presents earlier versions of many of the essays.

D.H. Lawrence's landmark volume of writings on American literature includes major essays on Poe, Hawthorne, Melville and Whitman. This edition is newly corrected and uncensored and includes four versions of Lawrence's pioneering essay on Whitman.

For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.

In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics—contrary to expectations throughout American culture—has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America’s broader cultural integrity, one that is inclusive and historic. Outstanding Academic Title, Choice Magazine

Studies in Classic American Literature is a work of literary criticism by the English writer D. H. Lawrence. It was first published by Thomas Seltzer in the United States in August 1923.