The 8th Million Way To Die

Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying in this cruel and dangerous town—some quick and brutal ... and some agonizingly slow.

We talk a lot about resurrection. What about the death that must come first? Through story and biblical insight, Rick James reminds us that when Jesus tells us to deny ourselves, take up our cross, and follow him, he is describing a path of death, not a path to death. Giving up our own plans in order to meet someone else’s needs. Allowing God to shape our dreams, even as we lose a relationship, a job, a hoped-for future. Being alert to these daily opportunities to die to ourselves is how we discover that every act of dying, done in faith, leads to spiritual growth. As we learn to embrace the little deaths of everyday existence, we lose our taste for lifeless religiosity. Our appetite for a thriving, vibrant life in Christ grows—and our own experience motivates others to live out their extraordinary mission on earth. In truth, death is not an ending. It is the only way to experience abundant life.

'A Million Ways to Die in the West' pays homage to the traditional Western with a modern comic spin, following a cowardly farmer who seeks the help of a gunslinger's wife to win back the woman who left him.

John McClane must contend with a movie-obsessed serial killer in this explosive comic based on the Die Hard franchise. Thirty years after the release of Die Hard, a retired John McClane is being pulled back into the game by a dangerous foe he never thought he’d face again—a psychotic serial killer with a theatrical taste for casting his victims in reproductions of Hollywood’s greatest and deadliest films! Faced with impossible choices and unimaginable odds, A Million Ways To Die Hard just may be the last case John McClane ever has. With a suspenseful new story by industry veterans Frank Tieri and Mark Texeira, A Million Ways To Die Hard is packed with all the humor, action, and firepower that defined the Die Hard series and is sure to thrill fans everywhere.

An in-depth critical re-appraisal and inside account of director Hal Ashby's final feature film 8 Million Ways to Die starring Jeff Bridges, Rosanna Arquette and Andy Garcia. Hal Ashby was one of the most renowned directors of the 1970s, helming such classics as Harold & Maude, The Last Detail, Bound for Glory, Shampoo, Coming Home and Being There. In the 1980s, however, his reputation suffered amongst studios who considered him “difficult” and who removed him from projects before he could assert his right of “final cut”. Ashby's final film was, uncharacteristically, a thriller. Based on the novel by Lawrence Block and starring Jeff Bridges, Rosanna Arquette and Andy Garcia, from a script originally by Oliver Stone, 8 Million Ways to Die was a troubled production. The script was re-written several times and much of the film improvised between the director and his leading actors, much to the dismay of the studios who sacked Ashby before he could edit the film. Ashby sued the production company and declined to take possessory credit of the final release. So too, stars Bridge and Arquette vociferously denounced the movie in the popular press, lamenting the editing choices made without Ashby (an Academy Award winning editor). When eventually released, the critics lambasted the movie and it found itself quickly on VHS release. It grew a small fan appreciation - in part now due to the nude appearance of later Baywatch babe Alexandra Paul - but languished thereafter gathering dust on store shelves.Until now!

To what extent have Hollywood feature films shaped the meanings that Americans attach to alcoholics, their families, and the alcoholic condition? To what extent has the mass culture of the movie industry itself been conceptually shaped by a broad, external societal discourse? Norman Denzin brings to his life-long study of alcoholism a searching interest in how cultural texts signify and lend themselves to interpretation within a social nexus. Both historical and diachronic in his approach, Denzin identifies five periods in the alcoholism films made between 1932 and the end of the 1980s, and offers a detailed critical reading of thirty-seven films produced during these six decades. "Professor Denzin has produced a searching and provocative interpretation of more than a half-century of Hollywood's social and personal construction of the problem drinker in America. Readable by both lay persons and specialists, Denzin's book provides us with the most comprehensive understanding of this topic to date."--Stanford M. Lyman, Robert J. Morrow Eminent Scholar in Social Science, Florida Atlantic University "An eminent sociologist and leading authority on alcoholism, Denzin also writes skillfully about films as films and is comfortable with postmodern interpretive theoryà a genuinely interdisciplinary work of the first order." --Robert L. Carringer, author, The Making of Citizen Kane "Denzin has gone on an exhaustive bar-crawl through hundreds of movies, returning with evidence that the film about drinking is a genre of its own. He writes from sound knowledge about alcoholism--which, unlike other diseases, is frequently viewed with bittersweet romanticism."--Roger Ebert Norman K. Denzin is professor of sociology, cinema studies, and interpretive theory at the University of Illinois, Urbana-Champaign. He was awarded the George Herbert Mead Award for Lifetime Achievement from the Society for the Study of Symbolic Interaction. He is the author of several books, including Screening Race: Hollywood and a Cinema of Racial Violence, The Recovering Alcoholic, Interpretive Ethnography, Images of Postmodernism: Social Theory and Contemporary Cinema, and Interpretive Interactionism.

A provocative description of the power of population change to create the conditions for societal transformation. As the world nears 8 billion people, the countries that have led the global order since World War II are becoming the most aged societies in human history. At the same time, the world’s poorest and least powerful countries are suffocating under an imbalance of population and resources. In 8 Billion and Counting, political demographer Jennifer D. Sciubba argues that the story of the twenty-first century is less a story about exponential population growth, as the previous century was, than it is a story about differential growth—marked by a stark divide between the world’s richest and poorest countries. Drawing from decades of research, policy experience, and teaching, Sciubba employs stories and statistics to explain how demographic trends, like age structure and ethnic composition, are crucial signposts for future violence and peace, repression and democracy, poverty and prosperity. Although we have a diverse global population, demographic trends often follow predictable patterns that can help professionals across the corporate, nonprofit, government, and military sectors understand the global strategic environment. Through the lenses of national security, global health, and economics, Sciubba demonstrates the pitfalls of taking population numbers at face value and extrapolating from there. Instead, she argues, we must look at the forces in a society that amplify demographic trends and the forces that dilute them, particularly political institutions, or the rules of the game. She shows that the most important skills in demographic analysis are naming and being aware of your preferences, rethinking assumptions, and asking the right questions. Provocative and engrossing, 8 Billion and Counting is required reading for business leaders, policy makers, and anyone eager to anticipate political, economic, and social risks and opportunities. A deeper understanding of fertility, mortality, and migration promises to point toward the investments we need to make today to shape the future we want tomorrow.

After a mission of vengeance in Helsinki, James Bond returns to London and assumes the workload of a fallen 00 Section agent. His new mission takes him to Berlin, presumably to break up an agile drug-trafficking operation. But Bond has no idea of the forces gathered in secret against him, the full scope of an operation that's much scarier and more lethal than he could possibly imagine. Berlin is about to catch fire... and James Bond is trapped inside. Dynamite Entertainment proudly presents VARGR, the debut storyline in the all new James Bond comic book series, as crafted by masterful writer Warren Ellis (Transmetropolitan, The Authority) and artist Jason Masters (Batman Incorporated, Guardians of the Galaxy).