The Hurry Up Song

Out of love, anger, and grief Clifford Chase has crafted a moving and brilliant memoir of loss and family bonds. With startling honesty, he evokes scenes of life in a suburban American family and illuminates the strong ties that are woven between two gay brothers as they become adults. Chase documents how, in turn, the family dynamics change forever when one brother--the elder, the admired, the feared, the loved--weathers AIDS-related illnesses and ultimately dies. This is a searching, unsentimental account of how AIDS steals away loved ones and how the wounds of loss come to be healed.

To find her Muse, she must first find herself. Sylvia Baker used to live for music: constantly listening to artists like M83 and Moonlight Bride, writing songs, and playing drums in a band. But now, the soundtrack of her life is silence. If she lets the music back in, she's worried she will return to her delusions about the Muses--the mystical beings who inspire artists to create art. She's worried she'll have to face the wounds of losing Vincent, her Muse, her love. She tries to move on, immersing herself in the real world--working at the grocery store, mending her relationships with her friends and her father, and developing a new love for hiking. But in her dreams, she is forced to face the questions growing in her heart. What if they never were delusions? What if a vicious battle between the traditional Greek Muses and modern Earthly Muses tore her from the world of the Muses? What if she never lost Vincent at all? And what if he's the one who needs to be saved?

In this Franklin Classic Storybook, Franklin learns to manage his time so as not to be late for his friend's party.

As atrocity has become characteristic of modern history, testimonial writing has become a major twentieth-century genre. Untimely Interventions relates testimonial writing, or witnessing, to the cultural situation of aftermath, exploring ways in which a culture can be haunted by its own history. Ross Chambers argues that culture produces itself as civilized by denying the forms of collective violence and other traumatic experience that it cannot control. In the context of such denial, personal accounts of collective disaster can function as a form of counter-denial. By investigating a range of writing on AIDS, the First World War, and the Holocaust, Chambers shows how such writing produces a rhetorical effect of haunting, as it seeks to describe the reality of those experiences culture renders unspeakable. Ross Chambers is Professor of Romance Languages at the University of Michigan. His other books includeFacing It: AIDS Diaries and the Death of the Author.

Please note: this edition is text only and does not contain images. The most in-depth exploration of Springsteen's songs ever written. Spanning nearly 50 years of albums, EPs, B-sides, and more, this is the full story behind every single song that The Boss has ever released. Moving chronologically through Springsteen's long career, expert authors Margotin and Guesdon explore everything there is to know about every single song. No stone is left unturned across 670 pages, from the inspiration behind the lyrics and melody to the recording process and even the musicians and producers who worked on each track. Uncover the stories behind the music in this truly definitive book - a must-have for every Springsteen fan.

Once she was reborn, the peasants' daughters were hated on both sides, and her relatives despised her even before she was married at the age of nineteen! Bai He didn't give up in the slightest. He could compete in the highest quality, earn money, and use the Spatial Spirit Spring as a helper. She shed her scars and transformed into a beauty. Her blooming peach blossoms made people jealous! However, after the helpless, fat, and ugly husband was forced by her to lose weight and drink spiritual water, and became a modest gentleman, he could not get rid of him no matter what! My wife, you've deducted my meat from the past, so you should make it up to me today! So be it then! Chicken, duck, fish, or whatever you choose! So, can you get away from me? " It was a pity that this humble gentleman's background was not simple. In this life and for the rest of her life, she would not be able to make a comeback!

An important and previously unexplored body of esoteric ritual songs of the Tz'utujil Maya of Santiago Atitlán, Guatemala, the "Songs of the Old Ones" are a central vehicle for the transmission of cultural norms of behavior and beliefs within this group of highland Maya. Ethnomusicologist Linda O'Brien-Rothe began collecting these songs in 1966, and she has amassed the largest, and perhaps the only significant, collection that documents this nearly lost element of highland Maya ritual life. This book presents a representative selection of the more than ninety songs in O'Brien-Rothe's collection, including musical transcriptions and over two thousand lines presented in Tz'utujil and English translation. (Audio files of the songs can be downloaded from the UT Press website.) Using the words of the "songmen" who perform them, O'Brien-Rothe explores how the songs are intended to move the "Old Ones"—the ancestors or Nawals—to favor the people and cause the earth to labor and bring forth corn. She discusses how the songs give new insights into the complex meaning of dance in Maya cosmology, as well as how they employ poetic devices and designs that place them within the tradition of K'iche'an literature, of which they are an oral form. O'Brien-Rothe identifies continuities between the songs and the K'iche'an origin myth, the Popol Vuh, while also tracing their composition to the late sixteenth and early seventeenth centuries by their similarities with the early chaconas that were played on the Spanish guitarra española, which survives in Santiago Atitlán as a five-string guitar.