The Old Man Who Lost His Horse

A retelling of the tale about a Chinese man who owned a marvelous horse and who believed that things were not always as bad, or as good, as they might seem.

DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Compiled by scholars at the court of Liu An, king of Huainan, in the second century B.C.E, The Huainanzi is a tightly organized, sophisticated articulation of Western Han philosophy and statecraft. Outlining "all that a modern monarch needs to know," the text emphasizes rigorous self-cultivation and mental discipline, brilliantly synthesizing for readers past and present the full spectrum of early Chinese thought. The Huainanzi locates the key to successful rule in a balance of broad knowledge, diligent application, and the penetrating wisdom of a sage. It is a unique and creative synthesis of Daoist classics, such as the Laozi and the Zhuangzi; works associated with the Confucian tradition, such as the Changes, the Odes, and the Documents; and a wide range of other foundational philosophical and literary texts from the Mozi to the Hanfeizi. The product of twelve years of scholarship, this remarkable translation preserves The Huainanzi's special rhetorical features, such as parallel prose and verse, and showcases a compositional technique that conveys the work's powerful philosophical appeal. This path-breaking volume will have a transformative impact on the field of early Chinese intellectual history and will be of great interest to scholars and students alike.

From his first time riding as a child, William Shatner has felt a deep love for horses. Whether seated in the saddle, communicating with them, or simply appreciating their beauty, his bond with these majestic animals is deep. For decades he has sought to share his joy—with children, veterans, those with disabilities, and many more—through his annual Hollywood Charity Horse Show. And here, he brings that same joy to his fans and readers. In Spirit of the Horse, the Star Trek and Boston Legal legend speaks from the heart about the remarkable effect horses have had on his life and on the lives of others. From his first horse, bought impulsively on the advice of a twelve-year-old, to his favorite horses, acquired after many years of learning what to look for, this book draws from Shatner’s own experience and pairs it with a wealth of classic horse stories, including unique retellings of the Pegasus myth and the feats of the most famous war horses throughout history. The result is a celebration that captures the unparalleled connection between humans and horses—and the power, courage, mindfulness, and healing that they can inspire in us. Many fans have heard about Shatner’s passion for horses; few have seen it revealed as completely as it is here.

Chinese proverbs are, in a sense, the DNA of Chinese culture and language. The meanings of many of these proverbs may not be obvious to Westerners. For example when Chinese say the proverb “Dog chases mouse,” they mean “Mind your own business”—that is, dogs don’t chase mice; it’s not their job. In the process of truly making a connection with Chinese language and culture, a solid understanding of these proverbs goes a long way. Learning 300 Chinese Proverbs presents a unique book of Chinese proverbs that can be used as a tool for learning spoken and written Mandarin Chinese. This helpful, practical reference is complete with a section on grammar and offers an innovative approach to learning correct pronunciation, useful to both the beginner and the advanced student. Each proverb represents a new and unique lesson in Mandarin Chinese, using Simplified Chinese and the Pinyin transliteration system. Learning 300 Chinese Proverbs is so much more than a Chinese textbook; it also offers an overview of the Chinese civilization and language that goes back thousands of years.

"An unforgettable work of art."—The National Post Saul Indian Horse is dying. Tucked away in a hospice high above the clash and clang of a big city, he embarks on a marvellous journey of imagination back through the life he led as a northern Ojibway, with all its sorrows and joys. With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he's sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement. Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man. Drawing on his great-grandfather's mystical gift of vision, Saul Indian Horse comes to recognize the influence of everyday magic on his own life. In this wise and moving novel, Richard Wagamese shares that gift of magic with readers as well.

" The poetry of the Late Tang often looked backward, and many poets of the period distinguished themselves through the intensity of their retrospective gaze. Chinese poets had always looked backward to some degree, but for many Late Tang poets the echoes and the traces of the past had a singular aura. In this work, Stephen Owen resumes telling the literary history of the Tang that he began in his works on the Early and High Tang. Focusing in particular on Du Mu, Li Shangyin, and Wen Tingyun, he analyzes the redirection of poetry that followed the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. The Late Tang, Owen argues, forces us to change our very notion of the history of poetry. Poets had always drawn on past poetry, but in the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium; it was becoming a repertoire of available choices--styles, genres, the voices of past poets. It was this repertoire that would endure. "