The Sacred Texts

The Sacred Texts, a set of books created by the archangels of Heaven, have been kept locked away by the Creator since the early times of human history: the Book of Water crafted by Gabriel/Gabrielle, the Book of Fire forged by Michael, the Book of Earth made by Uriel, and the Book of Language created by Azrael. It is said that the last of those books, the one created by the very hands of Death Himself, is one of two keys to deciphering the language of the angels and with it the ability to control God and all in known existence. For the past two hundred years, the Fallen Angel Lucifer has waited for the proper moment to strike, the proper moment to invade Avalon and take control of the Book of Azrael in hopes of defeating the Creator once and for all. Aware of the imminent danger, Azrael tasks a single magic wielding mortal with entering Hell itself and destroying his Sacred Text. After becoming weakened in his determination to complete the task given to him by the Archangel of Death, Raven the Archmage finds that he must pass on the responsibilities of destroying The Book of Azrael to his insecure and often difficult apprentice, Jaguar. Follow Jaguar's arduous journey alongside his best friend Lion, and a mysterious earth wielding mage and his werewolf sister, as they travel through the halls of Perdition in hopes of keeping evil from gaining victory and throwing off the balance of all of Creation.The Sacred Text Series is a coming of age story that seamlessly weaves many ancient archetypes into a cohesive whole. Enter a world where vampires, angels, demons, werewolves, magic, and human myths from a myriad of cultures collide.

The Sacred Text presents an introduction to historical, interpretive, and theological issues relating to the Christian Scriptures. It presents an overview of the formation of the canon, discusses different strategies for interpretation, and describes how Scripture functions in different theological traditions.

An analysis of the development of historical consciousness in antebellum America, using the debate over slavery as a case study.

All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures.

By considering the status of Hebrew in Judaism alongside that of Greek in Rome Sacred Languages and Sacred Texts sheds new light on the role of the power of words, spoken and written, in religion.

Lost for centuries, the Kebra Nagast (The Glory of Kings) is a truly majestic unveiling of ancient secrets. These pages were excised by royal decree from the authorized 1611 King James version of the Bible. Originally recorded in the ancient Ethiopian language (Ge'ez) by anonymous scribes, The Red Sea Press, Inc. and Kingston Publishers now bring you a complete, accurate modern English translation of this long suppressed account. Here is the most startling and fascinating revelation of hidden truths; not only revealing the present location of the Ark of the Covenant, but also explaining fully many of the puzzling questions on Biblical topics which have remained unanswered up to today.

In Search of the Sacred Book studies the artistic incorporation of religious concepts such as prophecy, eternity, and the afterlife in the contemporary Latin American novel. It departs from sociopolitical readings by noting the continued relevance of religion in Latin American life and culture, despite modernity’s powerful secularizing influence. Analyzing Jorge Luis Borges’s secularized “narrative theology” in his essays and short stories, the book follows the development of the Latin American novel from the early twentieth century until today by examining the attempts of major novelists, from María Luisa Bombal, Alejo Carpentier, and Juan Rulfo, to Julio Cortázar, Gabriel García Márquez, and José Lezama Lima, to “sacralize” the novel by incorporating traits present in the sacred texts of many religions. It concludes with a view of the “desacralization” of the novel by more recent authors, from Elena Poniatowska and Fernando Vallejo to Roberto Bolaño.

Nigosian explores the diverse literary antecedents of the Old Testament as well as the Apocrypha -- books excluded from the canonical Hebrew text but included in the Septuagint.