The Sweet Smell Of Success

The screenwriter behind North by Northwest and Who’s Afraid of Virginia Woolf? skewers show business in these fifteen tales. In Sweet Smell of Success, the main novelette of this collection,Lehman scathingly depicts the dark side of success through the twisted relationship of Sid Wallace, an ambitious publicist, and Harvey Hunsucker, a powerful and vindictive gossip columnist, fashioned after Walter Winchell. As scandals are manufactured and reputations ruined for sport, the story spirals downward toward one last, savage act of revenge. As brutally honest as Nathanael West’s The Day of the Locust, Sweet Smell of Success is one of the most enduring and provocative stories in the literature of show business. In The Comedian, one of America’s most beloved funny men is about to become a television superstar, but a large banana peel awaits him. Meanwhile, the remaining stories dissect the entertainment industry in a way that only Lehman could do . . . Both Sweet Smell of Success and The Comedian were adapted for film. Sweet Smell of Success was a 1957 film starring Burt Lancaster and Tony Curtis, while The Comedian was a TV movie starring Mickey Rooney and Edmund O’Brien. “Sweet Smell of Success is a corrosive valentine to New York, embracing its energy and its clashing ambitions.” —Sam Kashner, Vanity Fair “Siddown. Listen to these. They are not Lindy’s cheesecake or long on kisses and schmaltz. But if you like prose pale as a shark’s belly, they do just fine.” —Kirkus Reviews

It's New York, 1952. Welcome to Broadway, the glamour and power capital of the universe. J.J. Hunsecker rules it all with his daily gossip column in the New York Globe, syndicated to sixty million readers across America. J.J. has the goods on everyone, from the president to the latest starlet. And everyone feeds J.J. scandal, from J. Edgar Hoover and Senator Joe McCarthy down to a battalion of hungry press agents who attach their news to a client that J.J. might plug. When a young press agent, S

Apart from her being so attractive, the one thing that stands out about STELLA delray is that she is a fighter. Her family had either been killed or taken away when she was a child. Now a fully grown woman, she patiently waits and hopes for the chance to enter a different world, a world which could make up for the misery she had to endure when life to her was very cruel. To achieve this she must choose the correct path to her dreams, otherwise she could find herself forever in the gutter. Beware of the shocking ending. "When I write my books I am always alone which makes me a true Author. People who rely on a full playground of helpers to give them advice to write their books then how can they be classed as real Authors?" `Desire has to be mutual, for sex without love, or at least feeling is vile` -Casanova`Now just a ghost town. Ten years ago it was a relaxing, friendly desert stopover. But when new owners took over, everything turned nasty and I really mean nasty!

This book is about wellness and well-being and is meant to serve different groups of people in specialized ways. There is a widening health care information gap between health consumers and care providers. The material presented here bridges the gap between laypeople as health care consumers and medically oriented health care providers, with detailed natural healing information based on medical and scientific knowledge.

London 1664. Harry Lytle has just discovered he has a young cousin, Anne Giles. But he's had the pleasure of meeting her for the first time as a corpse. Harry sets out to track down Anne's killer, but he must follow a trail of blood, conspiracy and corruption that takes him to the dark and murky corners of Restoration London.

A priceless examination of the filmmaker's craft, from the renowned director of "Sweet Smell of Success" After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as "The Ladykillers," Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and influential film schools. His absolute devotion to the craft of filmmaking served as a powerful impetus to students at the California Institute for the Arts for almost twenty five years, with a teaching style that included prodigious notes, neatly crafted storyboards, and handouts containing excerpts of works by Kierkegaard, Aristotle, and others. At the core of Mackendrick's lessons lay a deceptively simple goal: to teach aspiring filmmakers how to structure and write the stories they want to tell, while using the devices particular to the medium of film to tell their stories effectively. In this impressive volume, edited by Paul Cronin, the myriad materials that made Mackendrick's reputation as an instructor are collected for the first time, offering a chance for professionals as well as students to discover a methodology of filmmaking that is challenging yet refreshing in its clarity. Meticulously illustrated and drawing on examples from such classic films as "North by Northwest," " Citizen Kane," and "Touch of Evil, " Mackendrick's elegant lessons are sure to provide inspiration for a new generation of filmmakers.

A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City’s grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s modes and moods. In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade’s additional films of note.

“With Deluxe: How Luxury Lost Its Luster, [Dana] Thomas—who has been the cultural and fashion writer for Newsweek in Paris for 12 years—has written a crisp, witty social history that’s as entertaining as it is informative.” —New York Times From the author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes Once luxury was available only to the rarefied and aristocratic world of old money and royalty. It offered a history of tradition, superior quality, and a pampered buying experience. Today, however, luxury is simply a product packaged and sold by multibillion-dollar global corporations focused on growth, visibility, brand awareness, advertising, and, above all, profits. Award-winning journalist Dana Thomas digs deep into the dark side of the luxury industry to uncover all the secrets that Prada, Gucci, and Burberry don't want us to know. Deluxe is an uncompromising look behind the glossy façade that will enthrall anyone interested in fashion, finance, or culture.