Visions The Other Way Round Of Love And Death

If for love hate and for death life are opposites, then in the 'other way round' of love and death the opposites cancel each other out. For this, the simple, only mirroring consciousness must be distinguished from the deeper awareness, which can only be experienced securely in a self-analytical practice (an-alytical psychocatharsis). The author also shows by means of contrasts in other areas that a new view, indeed a kind of vi-sion, can expand conventional psychoanalysis by means of such a practice. It contains not only analytical but also medi-tative aspects and can thus be learned by everyone himself - as also described in the book.

Although it is a somewhat underrepresented form of literature in popular sensibility, poetry finds relevance in the modern world through its appearance in cinema. Film adaptations of poems and depictions of poets on the screen date back to the silent era and continue to the present day. However, there have been few serious studies of how cinema has represented the world of poetic expression. In Verse, Voice, and Vision: Poetry and the Cinema, Marlisa Santos has compiled essays that explore the relationship between one of the world’s oldest art forms—poetry—and one of the world’s newest art forms—film. The book is divided into three sections: poets on film, poetry as film, and film as poetry. Topics include analyses of poet biopics (such as Mrs. Parker and the Vicious Circle), filmic representations of poets or poetic studies (including Pyaasa), films inspired by particular poems (such as Splendor in the Grass), and the avant-garde phenomenon of the “poem-film” (such as The Tree of Life). Poetic influences considered in this volume range from William Shakespeare to e.e. cummings, and the films discussed hail from several different countries, including the U.S., the U.K., India, China, Italy, and Argentina. Featuring a great diversity in the age, genres, and countries of origin of the films, these essays provide an in-depth look at how poetry has been interpreted on film over the years. By addressing a heretofore unexamined aspect of film studies, Verse, Voice, and Vision will appeal to fans and scholars of both literature and cinema.

The first book to validate the meaningful dreams and visions that bring comfort as death nears. Christopher Kerr is a hospice doctor. All of his patients die. Yet he has cared for thousands of patients who, in the face of death, speak of love and grace. Beyond the physical realities of dying are unseen processes that are remarkably life-affirming. These include dreams that are unlike any regular dream. Described as "more real than real," these end-of-life experiences resurrect past relationships, meaningful events and themes of love and forgiveness; they restore life's meaning and mark the transition from distress to comfort and acceptance. Drawing on interviews with over 1,400 patients and more than a decade of quantified data, Dr. Kerr reveals that pre-death dreams and visions are extraordinary occurrences that humanize the dying process. He shares how his patients' stories point to death as not solely about the end of life, but as the final chapter of humanity's transcendence. Kerr's book also illuminates the benefits of these phenomena for the bereaved, who find solace in seeing their loved ones pass with a sense of calm closure. Beautifully written, with astonishing real-life characters and stories, this book is at its heart a celebration of our power to reclaim the dying process as a deeply meaningful one. Death Is But a Dream is an important contribution to our understanding of medicine's and humanity's greatest mystery.

As the world around us becomes more fantastic, and science itself more surreal, the realms of science fiction and fantasy become correspondingly both more bizarre and more relevant. Voices of Vision offers a rare look into the inner workings of this realm and into the very thoughts and methods of those who make it tick: editors and writers of science fiction and fantasy, and creators of comic books and graphic novels. In wide-ranging interviews that are by turns intimate and thought provoking, irreverent and outrageous, Jayme Lynn Blaschke talks shop with some of the most interesting voices in these genres as well as the people behind them, such as current Science Fiction Weekly and former Science Fiction Age editor Scott Edelman. ø A host of authors talk to Blaschke about what it?s like to do what they do, how they work and how they started, and where they think the genre is headed. Blaschke talks to writers such as Robin Hobb, Charles de Lint, Patricia Anthony, and Elizabeth Moon; revered authors of comic books and graphic novels, including Neil Gaiman and Brad Meltzer; and icons such as Samuel R. Delany, Gene Wolfe, Harlan Ellison, and Jack Williamson. Editors such as Gardner Dozois, editor of Asimov?s Science Fiction magazine, discuss their publishing philosophies and strategies, the origins and probable directions of their magazines, and the broader influence of such ventures. For devoted reader, aspiring writer, and curious onlooker alike, these interviews open a largely hidden, endlessly engrossing world.

David Kessler, one of the most renowned experts on death and grief, takes on three uniquely shared experiences that challenge our ability to explain and fully understand the mystery of our final days. The first is "visions." As the dying lose sight of this world, some people appear to be looking into the world to come. The second shared experience is getting ready for a "trip." The phenomenon of preparing oneself for a journey isn’t new or unusual. In fact, during our loved ones’ last hours, they may often think of their impending death as a transition or journey. These trips may seem to us to be all about leaving, but for the dying, they may be more about arriving. Finally, the third phenomenon is "crowded rooms." The dying often talk about seeing a room full of people, as they constantly repeat the word crowded. In truth, we never die alone. Just as loving hands greeted us when we were born, so will loving arms embrace us when we die. In the tapestry of life and death, we may begin to see connections to the past that we missed in life. While death may look like a loss to the living, the last hours of a dying person may be filled with fullness rather than emptiness. In this fascinating book, which includes a new Afterword, Kessler brings us stunning stories from the bedsides of the dying that will educate, enlighten, and comfort us all.

A unique look at Christian biblical interpretation and theology from the perspective of Native American tradition. This book focuses on four specific experiences of Jesus as portrayed in the synoptic gospels. It examines each story as a “vision quest,” a universal spiritual phenomenon, but one of particular importance within North American indigenous communities. Jesus’ experience in the wilderness is the first quest. It speaks to a foundational Native American value: the need to enter into the “we” rather than the “I.” The Transfiguration is the second quest, describing the Native theology of transcendent spirituality that impacts reality and shapes mission. Gethsemane is the third quest. It embodies the Native tradition of the holy men or women, who find their freedom through discipline and concerns for justice, compassion, and human dignity. Golgotha is the final quest. It represents the Native sacrament of sacrifice (e.g., the Sun Dance). The chapter on Golgotha is a discussion of kinship, balance, and harmony: all primary to Native tradition and integral to Christian thought.