We Came In Peace For All Mankind

Recounts the history of the silicon disc which Neil Armstrong and Buzz Aldrin left on the moon during the Apollo 11 mission, and displays the messages from the United States and seventy-three other countries etched on the disc.

"Over 2,000 entries covering the who, what, where, when and why of U.S. history."--Thumbnail.

Quantum hires his old flame Amy as a receptionist. And, yes, our heroes finally get their own bodies back.

From legendary creators Christopher Priest (Black Panther, Deadpool) and MD Bright (Green Lantern, Iron Man) comes the next genre-colliding trade paperback collection of the complete adventures of the original world?s worst superhero team! Once estranged friends, now reluctant crime fighting partners, Eric Henderson and Woody Van Chelton are making the best of things. Forced to ?klang? their control bands together every 24 hours by the disastrous lab accident that gave them their powers or have their bodies? dissipate forever, the two have teamed up and shacked up with the people they get along with least ? each other! But when bomb-wielding terrorists leave Woody at death?s door and the experimental super-science procedure to save his life leaves Woody and Quantum trapped in each other?s bodies, they?ll have to put their differences aside and learn how to walk a mile in each other?s shoes?literally. Collecting QUANTUM AND WOODY (1997) #8?13 and THE GOAT: H.A.E.D.U.S. #1, along with rarely seen materials from QUANTUM AND WOODY: HOLY S-WORD WE?RE CANCELLED TPB.

The seminal series by Christopher Priest and M.D. Bright collected in its entirety for the very first time ? with more than 50 pages of extras and bonus material! Sometimes the best friends make the worst partners. Once inseparable, childhood friends Eric Henderson and Woody Van Chelton haven?t seen each other in years. Reunited by the mysterious deaths of their research scientist fathers, the unlikely duo find themselves stuck together all over again when a catastrophic lab accident transforms their bodies into pure energy ? energy that will completely dissipate if they don?t ?klang!? their control bands together every 24 hours! Now, armed with an array of high tech gadgets?and two horribly mismatched personalities?and a goat for a sidekick?this pair of misfits has has decided to set the world straight as the world?s worst superhero team, Quantum and Woody?if they can manage to quit fighting each other first. Now, for the first time in one complete volume, discover the defining masterwork of legendary creators Christopher Priest (Black Panther, Deadpool) and M.D. Bright (Green Lantern, Iron Man) as the complete, classic Quantum and Woody gets the deluxe oversized omnibus treatment! Collecting QUANTUM AND WOODY (1997) #0, 1?21 and #32, THE GOAT: H.A.E.D.U.S. #1, and X-O MANOWAR (1996) #16 (guest-starring Quantum and Woody), as well as the original backup stories from the QUANTUM AND WOODY trade paperback collections, and the never-before-collected story ?Thunk,? along with rarely seen sketches, character designs and process art from inside the Valiant vaults!

Through an examination of a range of performance works ranging from Jean Cocteau's ballet The Eiffel Tower Wedding Party (1921) to Julie Taymor's monumental production of Spider-Man: Turn off the Dark (2010) and Mexican playwright Isaac Gomez's La Ruta(2018), Staging Technology asks what becomes visible when we encounter plays, operas, and musicals that are themselves about fraught human/machine interfaces. What can theatrical production tell us about the way technology functions as an element of ideology and power in narrative drama? About the limits of the human? Staging Technology bridges the divide between the technical practices of theatre production and critical, theoretical approaches to interpreting drama to examine the way dramatic theatre's technologies are shaped by larger historical, ideological, and economic forces. At the same time, it examines how those technologies themselves have influenced 20th and 21st-century playwrights', composers', and librettists' choice of subject matter for staged representation. Examining performance works from the modernist and post-modern European and American canon of drama, opera, and performance art including works by Eugène Ionesco, Samuel Beckett, Heiner Müller, Sophie Treadwell, Harold Pinter, Tristan Tzara, Jean Cocteau, Arthur Miller, Robert Pinsky, John Adams and Alice Goodman, Staging Technology transforms how we think about the interrelationship between theatre practice, performance, narrative drama, and text. In it Craig N. Owens synthesizes approaches to interpretation and practice from disparate realms, offering insights into over-arching ways of making meaning that are illustrated through focused and innovative readings of individual works for the dramatic stage. Staging Technology provides a new and transformative paradigm for thinking about dramatic literature, the practices of representational theatre production, and the historical and social contexts they inhabit.

“Far more than a history of lunar exploration . . . [Hurt] is at his best in the deft sketches of the astronauts—as they were and as they became.”—Chicago Tribune Between December 1968 and December 1972, twenty-four men captured the imagination of the world as they voyaged to the moon. In For All Mankind, Harry Hurt III presents a dramatic, engrossing, and expansive account of those journeys. Based on extensive research and exclusive interviews with the Apollo astronauts, For All Mankind remains one of the most comprehensive and revealing firsthand accounts of space travel ever assembled. In their own words, the astronauts share the sights, sounds, thoughts, fears, hopes, and dreams they experienced during their incredible voyages. In a compelling narrative structured as one trip to the moon, Harry Hurt recounts all the drama and danger of the lunar voyages, from the anxiety of the astronauts’ prelaunch procedures through the euphoria of touchdown on the lunar surface. Updated with a new introduction by the author for the 50th anniversary of the Apollo 11 moon landing, For All Mankind is both an extraordinary adventure story and an important historical document. “Hurt’s timely book is like an instant replay of the dramatic moon flight years . . . Hurt tells us of the hardships and the successes of the Apollo program, the remarkable journey to the moon, of the astronauts and technicians who made it possible and the goals of the nation in space.”—Houston Chronicle “The meat here lies in the lunar voyage itself, an irresistible mix of danger, courage, tedium, and spectacle, evoked with unprecedented detail by those who went there.”—Kirkus Reviews

Mankind has scattered throughout the stars, forming thousands of civilizations at various stages of development. Fleet Command is attempting to reunite humanity through the ARCNet, an interstellar network that provides near-instantaneous communication over any distance. But as the Intrepid and her crew fly farther from Alliance-controlled space, a new threat appears. The Phalanx of Doom, an ancient foe long-relegated to the realm of comic book villainy, has been reborn. It possesses a new weapon that can alter minds, and Alliance citizens are turning on one another in violent acts of terror as Fleet Command scrambles to find the cause. We Were Promised Starships is a darkly-comedic sci-fi adventure that spans star systems and cyberspace. Join the crew of the Intrepid as they are swept into an interstellar conflict in Jason D. Reed’s debut novel