William Blake S Divine Love

Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory ‘Argument,’ there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon’s call to Theotormon’s eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon’s eagles and the wanton play of the girls with Oothoon’s articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake’s Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon’s self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon’s enlightened entelechy. Working with Michelangelo’s The Punishment of Tityus (1532) and Gian Lorenzo Bernini’s Ecstasy of Saint Teresa (1647–51), Oothoon’s ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon’s willing self-sacrifice.

"Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory 'Argument,' there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon's call to Theotormon's eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or as confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon's eagles and the wanton play of the girls with Oothoon's articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake's Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon's self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon's enlightened entelechy. Working with Michelangelo's The Punishment of Tityus (1532) and Gian Lorenzo Bernini's Ecstasy of Saint Teresa (1647-51), Oothoon's ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon's willing self-sacrifice"

A collection of nine essays on Blake as artist & poet, originally issued in celebration of the bicentennial of his birth.

This study traces the links between William Blake's ideas and radical Christian cultures in late eighteenth-century England. Drawing on a significant number of historical sources, Robert W. Rix examines how Blake and his contemporaries re-appropriated the sources they read within new cultural and political frameworks. By unravelling their strategies, the book opens up a new perspective on what has often been seen as Blake's individual and idiosyncratic ideas. We are also presented with the first comprehensive study of Blake's reception of Swedenborgianism. At the time Blake took an interest in Emanuel Swedenborg, the mystical and spiritual writings of the theosophist had become a platform for radical and revolutionary politics, as well as numerous heterodox practices, among his followers in England. Rix focuses on Swedenborgianism as a concrete and identifiable sub-culture from which a number of essential themes in Blake's works are reassessed. This book will appeal not only to Blake scholars, but to anyone studying the radical and sub- culture, religious, intellectual and cultural history of this period.

While many of Emanuel Swedenborgs writings rely heavily on the Bible, Divine Love and Wisdom appeals directly to human experience. It describes a loving God who is equally present with all people on earthregardless of race or religionand explores the underlying unity of all living things.

'Every page is a window open in Heaven ... interwoven designs companion the poems, and gold and yellow tints diffuse themselves over the page like summer clouds. The poems [of Song of Innocence] are the morning song of Blake's genius.' - W.B. Yeats'Blake sang of the ideal world, of the truth of the intellect, and of the divinity of imagination ... The only writer to have written songs for children with the soul of a child ... he holds, in my view, a unique position because he unites intellectual sharpness with mystic sentiment.' - James JoyceSong of Innocence and of Experience is a rare and wonderful book, its seeming simplicity belying its visionary wisdom. Internationally recognised as a masterpiece of English literature, it also occupies a key position in the history of western art.This unique edition of the work allows Blake to communicate with his readers as he intended, reproducing Blake's own illumination and lettering from the finest existing example of the original work. In this way readers can experience the mystery and beauty of Blake's poems as he first created them, discovering for themselves the intricate webs of symbol and meaning that connects word and image.Each poem is accompanied by a literal transcription, and the volume is introduced by the renowned historian and critic, Richard Holmes. The poems are narrated by novelist and critic, Adam Mars-Jones.This beautiful edition of Song of Innocence and of Experience will be essential for those familiar with Blake's work, but also offers an ideal way into his visionary world for those encountering Blake for the first time.

Poetry.