Women On The Verge Of Home

This book explores the idea of "home." Using feminist scholarship and ethnographically grounded readings of historical, literary, and cultural texts, contributors interrogate the comfortable and stable contours of home and ask what it means to women in different social, class, sexual, ethnic, and racial contexts in different times and places. Giving voice to diverse women's understandings of home, the book includes stories of elite white U.S. and Canadian women, rural poor and peasant white women in the United States and France, a British Caribbean freed slave woman, and others.

This book explores the idea of "home." Using feminist scholarship and ethnographically grounded readings of historical, literary, and cultural texts, contributors interrogate the comfortable and stable contours of home and ask what it means to women in different social, class, sexual, ethnic, and racial contexts in different times and places. Giving voice to diverse women's understandings of home, the book includes stories of elite white U.S. and Canadian women, rural poor and peasant white women in the United States and France, a British Caribbean freed slave woman, and others.

Martin pens a warm, funny, and intimate diary of her voyage into the world of therapy, which she calls the strangest journey of my life. Martin's fantastic journey of self-awareness is heartbreaking and hilarious--Julie Klam, author of "Please Excuse My Daughter."

Joanie's ex-husband is having a baby with his new girlfriend. Joanie won't be having more babies, since she's decided never to have sex again. But she still has her teenaged daughter Caroline to care for. And thanks to the recession, her elderly mother Ivy as well. Her daughter can't seem to exist without texting, and her mother brags about "goggling,"-while Joanie, back in the workforce, is still trying to figure out her office computer. And how to fend off the advances of her coworker Bruce. Joanie, Caroline, and Ivy are stuck under the same roof, and it isn't easy. But sometimes they surprise each other-and themselves. And through their differences they learn that it is possible to undo the mistakes of the past.

DIVExplores issues of gender, race and national identity in Japan, by taking up for critical analysis an emergent national trend, in which some urban Japanese women turn to the West--through study abroad, work abroad, and romance with Westerners-- in order/div

This text analyses director Pedro Almodovar's insights into gender, sexuality and subjectivity in his film Women on the Verge of a Nervous Breakdown. The author draws on a range of psychoanalytic and critical concepts and sees the film as an account of the often tyrannical spell of sexual desire, of the anxieties of relationships and families, but also of the possibilities of personal liberation. Peter William Evans also discusses the recent history of Spain and ties the film's concerns into the social revolution which occurred after the death of Franco.

Over the past few decades, many young Japanese women have emerged as Japan’s most enthusiastic “internationalists,” investing in study or work abroad, or in romance with Western men as opportunities to circumvent what they consider their country’s oppressive corporate and family structures. Drawing on a rich supply of autobiographical narratives, as well as literary and cultural texts, Karen Kelsky situates this phenomenon against a backdrop of profound social change in Japan and within an intricate network of larger global forces. In exploring the promises, limitations, and contradictions of these “occidental longings,” Women on the Verge exposes the racial and erotic politics of transnational mobility. Kelsky shows how female cosmopolitanism recontextualizes the well-known Western male romance with the Orient: Japanese women are now the agents, narrating their own desires for the “modern” West in ways that seem to defy Japanese nationalism as well as long-standing relations of power not only between men and women but between Japan and the West. While transnational movement is not available to all Japanese women, Kelsky shows that the desire for the foreign permeates many Japanese women’s lives. She also reveals how this feminine allegiance to the West—and particularly to white men—can impose its own unanticipated hegemonies of race, sexuality, and capital. Combining ethnography and literary analysis, and bridging anthropology and cultural studies, Women on the Verge will also appeal to students and scholars of Japan studies, feminism, and global culture.

Self Help.