Aristophanes Routledge Revivals

Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian’s ‘women plays’ in an attempt to discern why they were in fact probably quite funny to their original audiences. It is argued that modern students, scholars, and dramatists need to consider much more closely the conditions of the plays’ ancient productions when evaluating their ostensible themes. Three plays are focused upon: Lysistrata, Thesmophoriazusae, and Ecclesiazusae. All seem to speak quite eloquently to contemporary concerns about women’s rights, the value of women’s work, and the relationships between women and war, literary representation and politics. On the one hand, Professor Taaffe tries to retrieve what an ancient Athenian audience may have l appreciated about these plays and what their central theses may have meant within that culture. On the other hand, Aristophanes is discussed from the perspective of a late twentieth-century, specifically female, reader.

First published in 1951, The People of Aristophanes provides a sociological account of Athens in the period of its greatest glory. Drawing upon Old Attic Comedy and the plays of Aristophanes, the author recreates, for the reader, the life of Athens at that time. He writes extensively about social structure, family, religion and political relationships within the state, and discusses the far-reaching changes which took place within Athenian society.

Aristophanes: Poet and Dramatist, first published in 1986, offers an account of the early comedies and Frogs, the most famous of his works. It avoids theorising and abstraction, keeping close to individual passages and scenes, seeking out illuminating similarities and contrasts, both within Aristophanes' own corpus and between the comedian and other writers on whom he draws.

Law and Society in Classical Athens, first published in 1987, traces the development of legal thought and its relation to Athenian values. Previously Athens’ courts have been regarded as chaotic, isolated from the rest of society and even bizarre. The importance of rhetoric and the mischief made by Aristophanes have devalued the legal process in the eyes of modern scholars, whilst the analysis of legal codes and practice has seemed dauntingly complex. Professor Garner aims to situate the Athenian legal system within the general context of abstract thought on justice and of the democratic politics of the fifth century. His work is a valuable source of information on all aspects of Athenian law and its relation to culture.

Athens has, at different times and from different points of view, been cited as a model of moderate democracy and triumphant humanism, or, on the contrary, as an illustration of the disorders due to demagoguery and misguided imperialism. Professor Mossé looks beyond these judgments to discuss the exceptional destiny of Athens – a city which for two centuries dominated the Eastern Mediterranean world, but then faded from the political scene when Rome extended its control over the whole Mediterranean. The history of Athenian democracy does not end in 404 BC, as is sometimes thought, when the city capitulated to Sparta at the end of its Golden Age. Athens in Decline, first published in 1973, demonstrates how the city experienced another seventy-five years of greatness, and survived, more or less curtailed, under Macedonian domination. She examines the reasons for the final collapse and follows the stages of a decline which was not wholly without grandeur.

First published in 1964, this is a short collection of both literary and philosophical essays. Whilst two essays consider Greek literature written at the point at which the Athenian empire was breaking apart, another group explore the background from which Christianity arose, considering Paganism and the religious philosophy at the time of Christ. These, in particular, display Gilbert Murray’s ‘profound belief in ethics and disbelief in all revelational religions’ as well as his conviction that the roots of our society lie within Greek civilization. Finally, there is an interesting discussion of Order and the motives of those who seek to overthrow it.

Professor Sanders’ full-length study of Dionysius I, one of the most powerful figures of fourth-century BC Greece, is the first to appear in English, and marks an important reassessment of the ‘tyrant’ of Syracuse. Dionysius I regularly appears in the surviving historical accounts as a tyrant in the worst – modern – sense of the word: cruelty, intransigence, arrogance are all part of this stereotype. Yet here is a ruler who, according to the ancient testimony, was deeply concerned with the establishment of a just regime and to whom Plato turned to found the ideal Republic. The hostile picture of Dionysius that has come down to us is basically Athenian, Sanders argues, deriving from political circles engaged in propaganda aimed at tarnishing the tyrant’s reputation. Dionysius I of Syracuse and Greek Tyranny will be of interest to those engaged with the history, historiography and political practice of the ancient world.

Aristotle is justly famed as the founder of literary criticism, but he was not its inventor: his approach was shaped, not only by the ideas newly current in the fourth century, but also by the literature, critical attitudes and language which he inherited. It is this inheritance which concerns the author of Poetry and Criticism Before Plato, first published in 1969: setting the words of poets and critics side by side. The relationship between the poets and the Muses, and Plato's account of poetic inspiration and metaphorical language are both discussed. In the later chapters Professor Harriott traces the emergence of critical techniques and vocabulary as revealed in the writings of philosophers, sophists and dramatists. Finally, the two surviving passages of practical criticism are investigated: the literary contest between Aeschylus and Euripides in the Frogs of Aristophanes and Socrates' exegesis of a poem by Simonides in Plato's Protagoras.