It Wasn T Pretty Folks But Didn T We Have Fun

Possibly the best book ever written about an American magazine editor, this biography offers a 3-D view of the assassinations, the student riots, the counterculture, the politicians, the pop icons and the war that made the 60s America's unforgettable decade. Under the aegis of former Marine Harold Hayes, Esquire helped turn journalists, editors and photographers like Tom Wolfe, Gay Talese, Raymond Carver, Michael Herr, John Berendt and Diane Arbus into celebrities in their own right. Polsgrove's brilliant book, often resembling an Esquire cover story, offers a warts and all portrait of Hayes. Afterword by Ben Bagdikian.

"The sixties in America was a wild, giddy ride, an amazing Technicolor adventure, and no magazine caught the spirit of its apocalyptic fun as definitively as Esquire. Its brilliant, buccaneering editor Harold Hayes transformed the once-somnolent men's fashion magazine into a literary and cultural proving ground, where pure iconoclasm and blazing talent reigned. Art director George Lois put Sonny Liston on the cover as Santa Claus and Muhammad Ali as St. Sebastian. Tom Wolfe, Gay Talese, Garry Wills, Michael Herr, and others virtually invented a "New Journalism" equal to the task of deconstructing celebrity, celebrating pop culture, comprehending wars and demonstrations and riots and assassinations. Diane Arbus captured photographic images that reflected a disturbing, hidden America, and fiction writers as diverse as Norman Mailer and Raymond Carver did much the same in words." "Journalist and historian Carol Polsgrove has written the definitive history of this decade-long high-water mark in American magazine journalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Amanda Hardy is the new girl at school. Like everyone else, all she wants is to make friends and fit in. But Amanda is holding back. Even from Grant, the guy she's falling in love with. Amanda has a secret. At her old school, she used to be called Andrew. And secrets always have a way of getting out... A book about loving yourself and being loved for who you really are.

"Sometimes a story comes along that just plain makes you want to hug the world. The Remarkable Journey of Coyote Sunrise is Dan Gemeinhart’s finest book yet — and that’s saying something. Your heart needs this joyful miracle of a book." — Katherine Applegate, acclaimed author of The One and Only Ivan and Wishtree Five years. That's how long Coyote and her dad, Rodeo, have lived on the road in an old school bus, criss-crossing the nation. It's also how long ago Coyote lost her mom and two sisters in a car crash. Coyote hasn’t been home in all that time, but when she learns that the park in her old neighborhood is being demolished—the very same park where she, her mom, and her sisters buried a treasured memory box—she devises an elaborate plan to get her dad to drive 3,600 miles back to Washington state in four days...without him realizing it. Along the way, they'll pick up a strange crew of misfit travelers. Lester has a lady love to meet. Salvador and his mom are looking to start over. Val needs a safe place to be herself. And then there's Gladys... Over the course of thousands of miles, Coyote will learn that going home can sometimes be the hardest journey of all...but that with friends by her side, she just might be able to turn her “once upon a time” into a “happily ever after.” This title has common core connections.

Leading with the Chin focuses on the Esquire writings of James Baldwin, Truman Capote, Raymond Carver, Don DeLillo, Norman Mailer, and Tim O’Brien to examine how these authors negotiated important shifts in American masculinity. Using the works of these six authors as case studies, Leading with the Chin argues that Esquire permitted writers to confront national fantasies of American masculinity as they were impacted by the rise of neoliberalism, civil rights and gay rights, and the cultural dominance of the professional-managerial class. Applying the methodologies of periodical studies and the theoretical concerns of masculinity studies, this book recontextualizes the prose and fiction of these authors by analyzing them in the material context of the magazine. Relating each author’s articulation of masculinity to the advertisements, editorials, and articles published in each issue, Leading with the Chin shows that Esquire reflected and helped to shape the forces that structured American masculinity in the twentieth century.

Perhaps no drama catches the interest of the American public more than a spectacular trial. Even though the reporting of a crime may quickly diminish in news value, the trial lingers while drama builds. Although this has become seemingly more pronounced in recent years with the popularity of televised trials, public interest in criminal trials was just as high in 1735 when John Peter Zenger defended his right to free speech, or in 1893 when Lizzie Borden was tried for the murder of her father and stepmother. This book tells the stories of sixteen significant trials in American history and their media coverage, from the Zenger trial in 1735 to the O. J. Simpson trial in 1995. Each chapter relates the history of events leading up to the trial, the people involved, and how the crimes and subsequent trials were reported.

A timely, provocative account of how military justice has shaped American society since the nation’s beginnings. Historian and former soldier Chris Bray tells the sweeping story of military justice from the earliest days of the republic to contemporary arguments over using military courts to try foreign terrorists or soldiers accused of sexual assault. Stretching from the American Revolution to 9/11, Court-Martial recounts the stories of famous American court-martials, including those involving President Andrew Jackson, General William Tecumseh Sherman, Lieutenant Jackie Robinson, and Private Eddie Slovik. Bray explores how encounters of freed slaves with the military justice system during the Civil War anticipated the civil rights movement, and he explains how the Uniform Code of Military Justice came about after World War II. With a great eye for narrative, Bray hones in on the human elements of these stories, from Revolutionary-era militiamen demanding the right to participate in political speech as citizens, to black soldiers risking their lives during the Civil War to demand fair pay, to the struggles over the court-martial of Lieutenant William Calley and the events of My Lai during the Vietnam War. Throughout, Bray presents readers with these unvarnished voices and his own perceptive commentary. Military justice may be separate from civilian justice, but it is thoroughly entwined with American society. As Bray reminds us, the history of American military justice is inextricably the history of America, and Court-Martial powerfully documents the many ways that the separate justice system of the armed forces has served as a proxy for America’s ongoing arguments over equality, privacy, discrimination, security, and liberty.